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December 19, 2012

Film Review: Total Recall (2012)

"The past is a construct of the mind. It blinds us. It fools us into believing it. But the heart wants to live in the present." - Bill Nighy

This film has received its fair share of outrage. In this day and age with all kinds of films being arbitrarily remade for a quick buck (like Footloose, of all things), Total Recall comes off as just another tired remake. What makes it worse is that the original Total Recall is one of those films that's firmly established its status as a classic science fiction picture; I've known many fans who've expressed their disgust over taking Paul Verhoeven's pulpy masterpiece and practically desecrating it.

Frankly, the hate is justifiable, given that this remake hits up all the same plot points but changes so much around. One could probably spend pages comparing Len Wiseman's film to Verhoeven's, and highlighting everything that made the original better.

That being said, there are things I enjoyed about the remake. A lot of things, actually. The film definitely has action and spectacle: the cityscapes rendered here are among some of the best I've seen since the Star Wars prequels (and they do bear a lot in common with Blade Runner), and serves as a very interesting setpiece for a constant barrage of fight scenes, pursuits, and huge explosions. The action is pretty cool, and I was especially enthralled by the hovercraft chase in the middle of the film. There is a little bit of drag in the first half of the film, but otherwise, I found it most enjoyable.

The plot is pretty much a clone of the original 1990 film, just swapping out specific aspects and the setting. Mars is no longer a major setting; it's all set on a pair of highly futuristic megalopolises. Surprisingly, I believe this is one change that actually benefits the film: as crowded and condensed these cities are, there's finally a logical reason for having the Rekall virtual vacations in this universe. Additionally, the film does show a lot of really cool futuristic things that appeal to sci-fi nerds like myself: I was really intrigued to see a man using his hand as a phone, or to see an entire building fall through a tunnel running through the core of the Earth.  Above all, the overall look, style, and tone of the film matches up really well with the type of sci-fi adventure that Phillip K. Dick (author of the original story this franchise is based on) is better known for.

Problem is, all the originality in these few parts don't make the sum of the parts original. Characters don't really stand out much, and the story overall just feels like it's using the structure of the original film as a mere template for all the action scenes and cool ideas. All style and no substance. It figures.

The most criminal omission in the story would be the ambiguity of whether or not the events of the film are "real." In the original, you could conclude that it was all in Quaid's head. You can't in this new version; it's not a mind-bender by any means. In fact, it's the opposite.

Say what you will, I still find the film slick and stylish, as expected with a Len Wiseman film. The opening scenes proved to be a little painful on the eyes, with the lens flares and intense strobe lighting, but I was grateful that it didn't persist for long. Otherwise, I enjoyed the camera work and editing. The actors do the best they can: Collin Farrell is the man, while Jessica Biel and Kate Beckinsale put on their typical tough-girl acts. Writing is not a big standout. This production has a ton of great-looking sets, props, costumes, and special effects. Music has some cool parts.

As expected, the new Total Recall offers a lot of spectacle and cool new toys, but the original is still the best. Sci-fi fans and action junkies might want to give this new take a look; it's about as good (or as bad) as something like The Day The Earth Stood Still remake. If that just appalls you, then you might want to keep your distance.

3.5/5 (Entertainment: Good | Story: Average | Film: Pretty Good)

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