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March 22, 2013

Film Review: Wizard of Oz (1939)

"If happy little bluebirds fly beyond the rainbow, why oh why cant I?" - Judy Garland
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This film is one of the most quintessential classics of cinema.  Chances are that you've seen it aired every Thanksgiving, or you've seen clips of it all over the place, of you've heard the songs sung and resung, or you've seen parodies.  The Wizard of Oz has become so ingrained in American culture that the film, its scenes, its characters, its music, its dialogue, and just about everything is instantly recognizable and endearing.

To be perfectly honest, this is a really short and silly film.  The comedy, especially with so many silly lines, is still hilarious to this day.  There is peril and adventure in short bursts, and such scenes have become seriously iconic.  Frequently catchy musical numbers add to the overall whimsey of the picture.  There's hardly a dull moment in this film, and most moments are memorable and fun.

The story is a short and simple affair.  It takes a stretch to believe something this fantastic, but the film plays things so straight that it successfully immerses the audience.  Characters aren't terribly deep or fleshed-out, but they stand out really well.  In the end, it's the themes that count.  On one hand, it's a fundamental fantasy adventure:  the classic there-and-back-again tale, in which the characters embark on their journey and come back stronger and wiser.  With the film's ending, such themes are made even stronger, when it's revealed that it may have all been in Dorothy's dream.  The big reveal for the actual wizard of Oz is also a thematically strong moment, as it underscores a key theme regarding magic and imagination; it's a theme that not only extends to the characters of the story, but also reaches beyond the screen and demonstrates movie-making magic on a fundamental level.  If there's any thematic weakness, it's purely in the very very end, when Dorothy concludes that it's much better to stay at home than it is to have an adventure (she almost makes it sound like she'll be a recluse from then on, which kinda defeats the purpose of everything, in my opinion).

This film is well-filmed with steady and solid photography.  It's most distinctive for utilizing both black-and-white and color photography together, to create a stark contrast between reality and fantasy.  Acting is extremely goofy and over-the-top, but it all works for the film's benefit.  It's always a hoot to watch Margaret Hamilton as the iconic villain, while Judy Garland and the rest of the cast provide much zeal and spirit to their roles.  Writing is pretty silly, but it builds the story really well and features some very memorable lines.  This production uses some rather limited sets, props, and costumes, many of which are outlandish and very fake-looking, but provide enough of an illusion to craft a vibrant spectacle with limited resources.  Music is catchy and memorable.

This movie is a must-see, if for no other reason than for its prestige and popularity throughout the decades.  Highly recommended!

4.5/5 (Entertainment:  Very Good | Story:  Good | Film:  Very Good)

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