I knew this film was going to be weird. Shane Carruth's debut film - Primer - was an oddity as it was, lacking in straightforward answers or explanations, but presenting a very intriguing and sturdy piece of hard science fiction. Be warned that Upstream Color is also something that lacks a straightforward explanation. In fact, Primer was something rather cold, with its strong basis in the scientific method; UC is far warmer and artistic, but is also more abstract.
The film may come off as slow and dull to certain viewers, especially if you're expecting a strong narrative structure or plot. I'm usually adverse to movies that have no real plot or conflict, but with this film, it's the experience that matters. Watching this film is a strangely mesmerizing, lucid, and smooth experience, given the exquisite imagery, nuanced performances, and quality music score. The film's first fifteen minutes are probably the most straightforward, most interesting, and most disturbing aspect of the whole thing, and it serves as an important fulcrum point. This much I understand: the film starts off with the freaky notion that there's a man injecting grubs into people, which makes them susceptible to mind control. From then on, the film tracks two such victims who inevitably come together and discover the secrets of their latent trauma.
What makes the film so weird, so cerebral, and potentially frustrating, is that things happen, and characters will say things that won't make total sense. And most scenes are intercut with such footage as a farmer tending to pigs, and flowers growing in the wilderness. The movie draws stark parallels between such images, to unearth some rich thematic territory. Could such scenes reflect on life and death? Is it all about nature? Is it about love? Is it the human condition overall? The film never really tell you outright, and it gets very surreal when scenes overlap. If you struggle to find logic behind this story, you might write it off as messy. If you take in the experience and open your mind to interpreting the film, it'll keep your brain going and haunt you indefinitely. It's an experience comparable to such films as Mulholland Drive.
This film is very stylish, with some beautiful photography and ingenious editing. All actors put on decent performances, and they show a good blend of nuance and emotion. Writing is pretty weird, given the amount of strange and unusual dialogue. This production uses excellent sets, props, and costumes. The music score is very exquisite.
While Primer was a film that appeals on an intellectual level, Upstream Color appeals best to the artistic side of the brain. If you're susceptible to strange, abstract films that require lots of brainpower to interpret and understand, then this one is a perfect puzzlebox for you. Casual audiences might want to approach this with caution.
5/5 (Experience: Very Good | Content: Very Good | Film: Perfect)
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