December 13, 2014

Al's Top 100 Favorite Drama Films Part 5

Part 1
Part 2
Part 3
Part 4

20:  Love Exposure (Ai no Mukidashi)

Drama Of: Yū Honda, pervert.

The Film: This is probably the oddest, wackiest, and most extreme film on this list. Even though it runs for four hours, it's never dull, and it tells a long, tight, and intriguing story that explores the relationship between sin, perversity, and religion, all in the shadow of cult fanaticism. Even after wallowing through so much oddness and filth, love prevails in the end, and it is as endearing of a tale as it is unique.

My current score: 5/5
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19:  City of God (Cidade de Deus)

Drama Of: Buscapé, photographer.

The Film: The titular City of God, within Rio De Janeiro, is probably one of the scummiest places you can see on film. Shot on location in the various favelas, with a large cast of local, non-professional actors, the film exudes nothing but authenticity. In this grungy, real setting, the film dives deep into the cruel, violent criminal underworld, before showing how Buscapé avoids the temptations of gang life, and uses his talents to rise above adversity. It is as compelling of a story as it is relentless and inspiring.

My current score: 5/5
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18:  Cloud Atlas

Drama Of: Six different people, six different eras.

The Film: Folks might gripe that this complex, entwining drama that spans centuries will be too convoluted and messy to handle. While the movie strains a bit on the logic of the plotlines involved, it is a faithful adaptation of the book, and it is a spectacular-looking film. Performances are decent, and their characters provide the heartfelt centerpieces to each vignette of human history, which collectively underscores the ongoing struggle between civility and savagery.

My current score: 5/5
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17:  Gran Torino

Drama Of: Walt Kowalski, grumpy old man who doesn't like people on his lawn.

The Film: When you slap an old war veteran with racist tendencies next to a family of Korean immigrants, there's bound to be some kind of clash. In this case, however, the story moves into some endearing territory as Walt is made to relate to, and ultimately fight for, his foreign neighbors. While it's easy to root for Clint Eastwood's character when he's growling and pointing shotguns at people, he's at his most endearing when he overcomes personal hatred and finds a new family in the most unlikely place.

My current score: 5/5
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16:  The Elephant Man

Drama Of: John Merrick, deformed man (based on the real-life elephant man, Joseph Merrick).

The Film: Parts of this film can be weird (mostly the opening shots), but this is still one of the sanest movies made by David Lynch. It is a stylish black-and-white film with a lot of great imagery and great performances. Best of all, it lets the characters speak for themselves, to underscore the compelling struggles of the title character trying to become part of society.

My current score: 4.5/5
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15:  The Prestige

Drama Of: Two rival magicians.

The Film: This stylish and mind-mending tale presents two rivals struggling in unusual ways to outdo each others' magical performances. While the story ventures into some fantastic territory, it is told in a fantastic way that reveals more and more behind the characters, up to its thoughtful ending. The film is a fascinating study of characters and their drive for vengeance, and it is presented with solid showmanship.

My current score: 5/5
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14:  American Beauty

Drama Of: A man going through a mid-life crisis, much to the chagrin of his seemingly-perfect family.

The Film: Stylish and smooth, this film explores the hidden desires and transformation of an average middle-class man going through some rough changes. The film's turn of events can be rather extreme, but it's all about eschewing the superficial, materialistic aesthetics of modern suburbia and exploring the true hidden beauty of the world. Some people understand, some don't, and it builds up to a rather bittersweet climax.

My current score: 4/5
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13:  The Green Mile

Drama Of: John Coffey, a prisoner with a very special gift.

The Film: Adapted closely to Stephen King's six-part novel, this story has a tremendous and heartfelt focus on a whole bunch of characters. Some are good, some are evil, but they all revolve around John Coffey, whose gifts provide a deeper insight to everybody else and help them rise from the adversity of the painful world they inhabit. The picture strikes a bittersweet tone, and it is emotionally hard-hitting.

My current score: 4.5/5
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12:  The Shawshank Redemption

Drama Of: Andy Dufresne, wrongfully convicted of murder.

The Film: This film probably tops most people's list, but it's easy to see why. It's a well-paced prison drama with characters we can relate to, and a powerful ending that invokes themes of finding freedom and redemption. Andy's struggles may as well reflect everybody's struggles through their lowest points in their life, and there's nothing more inspiration than to see him emerge triumphant in the end. All in all, a well-made drama with endearing characters.

My current score: 4.5/5
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11:  Donnie Darko

Drama Of: Donnie Darko, troubled teen lost in a tangent universe.

The Film: A very strange and surreal experience that weaves high school drama with bizarre concepts involving time travel and alternate universes. At its core though, Donnie is a frustrated young man who lashes out against hypocritical teachers, pretentious schoolmates, his own family, and pretty much the entire world he lives in. At the same time, he finds enough good in the world to literally save it from the threat of universal destruction. Donnie's tale is as strange as they come, but thanks to the film's focus on the character, it's rarely convoluted or disconnected, and it's certainly an interesting story.

My current score: 4.5/5
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10:  Enter the Void

Drama Of: Some kid who gets himself killed. In spiritual form, the film then explores the people who knew him, past present and future.

The Film: What a trip. Gaspar Noé's lengthy film very ambitiously takes a step to the other side of mortality, and allows us to experience an out-of-body experience that dives deeply into the main character's life, death, and rebirth. It is a continuously-flowing film, using wild camera tricks and SFX to stitch the film together in a manner that could put Hitchcock's Rope to shame. The movie gets into some very seedy material though, as it wanders in and around the dark neon-lit alleys of Tokyo and lingers on some rather graphic sex scenes. In the end though, it is a hell of an experience that literally puts the audience into the character's shoes, and beyond.

My current score: 4.5/5
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9:  Titanic

Drama Of: Passengers of the RMS Titanic.

The Film: I can hear everybody groaning now, griping about how overrated this film is. Even I will admit that it is a long film with a lot of emphasis on romance and characters lashing out unreasonably; I should find it really sappy and daft. But even after all these years, I still find the film endearing. It covers a lot of the same ground as A Night to Remember, given the focus on the facts behind the Titanic's first and last voyage. It all serves as a backdrop for a love triangle between a wealthy woman, a charming low-class scoundrel, and a rather snooty upper-class aristocrat. It is a bit of a contrived set-up, but the film rarely overstays its welcome as it tends to mix things up with a little bit of everything: you wind up coming into the film to witness the disaster scenes, which are visually impressive, but you stay for the drama, which is compelling enough.

My current score: 4.5/5
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8:  Taxi Driver

Drama Of: Travis Bickle: the lonely taxi driver who becomes a punk.

The Film: This film is all about character, and Travis is one unique character. It's easy to relate to him as he wanders around the urban cityscape, finding little solace in its seedy underbelly, and struggling to connect with others. He is ultimately driven to lash out in more outlandish ways, transforming into a disillusioned activist, and ultimately an anti-hero. The film, and character, both have a serious amount of grit to them, but both are endearing and unique to the end.

My current score: 4.5/5
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7:  The Grapes of Wrath

Drama Of: The Joad family.

The Film: A pretty ballsy story for its time, John Steinbeck didn't shy away from exposing the hardships of Oakies during the Great Depression era. The film follows the original novel most of the way, showing the basic struggles of finding work, food, and a place to stay. The film emphasizes these hardships pretty well, immersing the audience in the gritty, desolate world the Joad family is forced to live in. It is a compelling story that's well-told, and hasn't been matched since.

My current score: 4.5/5
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6:  Schindler's List

Drama Of: Oskar Schindler, and the victims of the holocaust.

The Film: Perhaps the most definitive holocaust film of all time, for this is a fine quality film that covers the history of the events and never once shies away from showing how brutal and heartless the whole affair was. The film's most memorable and hardest-hitting scenes focus on the holocaust victims, but Oskar Schindler's struggle is the centerpiece and provides the best possible narrative structure. It is a hard film to watch, but it is worth seeing.

My current score: 4.5/5
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5:  American History X

Drama Of: A former white supremacist who's trying to prevent his brother from succumbing to racial hatred.

The Film: A hard-edged and hard-hitting exploration of racism in the perspective of NeoNazis, and it isn't a pretty picture. The characters do some pretty nasty things, but through the main character's eyes, we come to understand his ordeals through prison and the drive to find redemption. The picture is none too subtle about underscoring the root causes and motivation of racism, but overall, the presentation is incredible and the story is a must-see.

My current score: 5/5
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4:  One Flew Over the Cuckoo's Nest

Drama Of: Mac McMurphy, madman, or genius?

The Film: A bit dry perhaps, but this film presents a very compelling cast of characters and a compelling competition between the forces of order and the forces of chaos. It's easy to root for McMurphy, trying to upset the institution, and Nurse Ratched is one of the best villains we love to hate. The film has a number of episodes that are great to watch, but the ending really ties it all together thematically and pushes it to levels of brilliance.

My Score: 5/5
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3:  Requiem for a Dream

The Drama Of: Four individuals who succumb to substance abuse.

The Film: Requiem for a Dream is through and through the mourning song for the death of ambition and the obliteration of goals; all things that normally make human beings persevere, but in this film, it's all flushed into a downward spiral of suffering and despair. And the film drags the audience down with it, forcing us to follow these characters and endure their suffering.

That's right, this film is as depressing and painful as they come. Some may find it distasteful, most would only be willing to endure it once, but the experience is a valuable one for all, because this film is a shadowy mirror that shows how drug abuse (or, perhaps, any form of obsession or "dream") can ravage human lives in multiple ways. Most of the film focuses on a young dude, his girlfriend, and his best buddy, who all get involved in the drug business with the best intentions (because it feels good and there's money in it). At the same time, there's a parallel story involving the dude's mother, whose desire to lose weight leads her to an addiction to diet pills. When everybody's efforts backfire, they all become plunged into a world of hurt, and the entire last act of the film is a harrowing montage of scenes where all the characters endure some kind of suffering.

What really amplifies this film's effect is its style, which is completely unique and powerful. It is loaded with hip-hop montages, which really pump the images out at rapid-fire speed, but in a sublime manner. All the actors exude the proper emotions, as does Clint Mansell's epic music score. In the end though, I think director Darren Aronofsky excelled at taking the source material (a novel I considered to be incredibly incomprehensible) and extrapolating a tangible narrative.

My Score: 5/5
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2:  Stand By Me

The Drama Of: A bunch of kids who hike through the country to see a dead body.

The Film: A seminal coming-of-age film that forces a bunch of kids to literally look at death in the face. Adapted liberally from Stephen King's novella, this simple tale puts us in the shoes of a few endearing (if not rather obnoxious and foul-mouthed) kids. The film rolls ahead briskly and is always engaging, in both plot and character.

More than the destination, it is the journey they take that's most memorable; the film is at its best when the kids are just being kids, goofing off and talking smack at each other. They have a number of perilous encounters, including bad run-ins with a vicious dog, a train, and a bunch of teenagers. In between, the characters take the time to tell vulgar stories, or reflect on their hardships.

In the end though, each character comes out a stronger, wiser, more mature individual; this is the journey that wound up shaping their lives, and it is a journey that mirrors all of ours in some ways as well. Whether living life or facing death, however, the film shows that friendship can help us all endure the best and worst of it.

My Score: 4.5/5
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1:  It's a Wonderful Life!

The Drama Of: George Bailey, the man, the myth, the legend...

The Film: Well, as much as I love a lot of the other films already listed, I realized that they're all as depressing as they come, and I needed to cap this list with something positive for a change. It just doesn't get much more inspiring than this: the story of a man who tried so hard his whole life to leave town and explore the world, but had to settle for an average life. Then, when everything seems to be at its worst and he considers taking his own life, he is shown a stark vision of how everything would have changed if he was never even born.

The film takes its time to lay out George Bailey's life story, so we learn and understand him on the most fundamental level. The final act brilliantly flips everything on its head, showing how everything in the rest of the film becomes undone and evil winds up prevailing. The film understands that nobody lives in a vacuum; all our lives connect to each other in complex ways, and removing one person will alter the destiny of many others. Even when life doesn't seem to be going well, when everybody seems to be against you and you never seem to reach your true ambitions, there's always something around the corner. Especially for George, whose good actions rewards him in the end. It doesn't even matter that he may never get to see the world or become financially successful; he has his health, his family, his community, and that's all he needs to be truly happy.

The film's Christmas settings and focus on angels makes this a classic for the holidays, but the film's messages are profoundly universal and endearing. I truly do believe that everything that goes around comes around, and all our lives impact other lives in ways we can't even perceive. In itself, the film's title relays the most positive and inspiring message: it is indeed a wonderful life.

Watch the film; it is a must-see. Above all, be inspired to live your life to the fullest and enjoy all that you've been gifted with.

My Score: 5/5
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Want more drama in your life? Feel free to check out my list of honorable mentions, to see even more great drama titles I thought about (or might have neglected) that are still worth seeing at least once.

Al's Top 100 Favorite Drama Films Part 4

Part 1
Part 2
Part 3

40:  Irréversible

Drama Of: Marcus and Pierre, seeking vengeance for the rape of their beloved Alex.

The Film: This is not a movie I can easily recommend; it's a brutal and difficult thing to watch, given that it contains one of the most brutal murder scenes I've ever seen, and one of the most brutal rape scenes ever filmed. The first half of this film is a dizzying descent into an extremely dark and sick-looking place, and the sheer onslaught of visual filth is palpable and extreme. However, the film settles down after a while; going in reverse, the film methodically lays out the reasoning behind what happens, and it is an extremely tragic and compelling tale with themes of life and death at work. It's not a pretty or feel-good film by any means, but it is a heck of an experience.

My current score: 4/5
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39:  Black Swan

Drama Of: Nina Sayers, ballet dancer.

The Film: A bit rough in its style, but not nearly as rough as the character and subject matter. The film treads a fine line between fantasy and reality, as pure obsession pushes the character into surreal, nightmarish levels of lust and self-destruction. The whole cast is really spot-on, and the film is one dark and invoking trip.

My current score: 4.5/5
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38:  The Goodfellas

Drama Of: Henry Hill, his family, his business.

The Film: This epic-length gangster film tracks the rise of a few good fellas. Their lives are laced with moments that are both good and bad, making it a complex and twisty series of events that strain their relationships. It is as stylish and classic of a mafia movie as they come.

My current score: 4.5/5
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37:  Life is Beautiful (La Vita è Bella)

Drama Of: Guido Orefice.

The Film: Half of this is a pretty silly comedy, with an old-fashioned vaudeville vibe to it. In the last act, however, the film gets into some pretty grim territory as the characters are forced to suffer through the holocaust. Throughout the picture, Guido uses his comedy to shield everybody else from the horrors all around them, and I think it's an inherently compelling tale.

My current score: 4.5/5
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36:  Once Upon a Time in America

Drama Of: Noodles and the gang.

The Film: Despite its huge length and scope, this film is strangely addictive throughout. Sergio Leone didn't hold back on the impulses of the characters, leading them to some rather extreme lengths of violence and rape. Their overall experiences in a crime-ridden New York City underscore a mixed array of love, hate, friendship, treachery, and corruption. Overall, it's a mesmerizing gangster film that stands among the best of the genre.

My current score: 4.5/5
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35:  The Godfather

Drama Of: Michael Corleone, taking care of the family business.

The Film: It's a long one, but one of the most essential in American cinema. It's an epic-scale drama with intense emotions and outbursts, in addition to some pretty gruesome killings. With quality performances and quality filming, the film has cemented itself as a classic. It wasn't a film I liked at first, but even I have to admit that there's a classy charm to it that sunk in over the years.

My current score: 4/5
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34:  Citizen Kane

Drama Of: Charles Foster Kane.

The Film: Once considered the best film ever made, Citizen Kane gets its props for its bold, inventive, groundbreaking cinematography and narrative structure. It is one crazily-mixed picture that jumps around the timeline a lot, to lay out the life and times of Kane and his rise to power. It is a story with timeless themes of greed, materialism, and happiness. Regardless of how over or underrated you may think this picture is, it's worth seeing at least once.

My current score: 4.5/5
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33:  Apollo 13

Drama Of: Jim Lovell, Jack Swigert, Fred Haise, and everybody else involved with the historic space module disaster.

The Film: When the stuff hits the fan for the Apollo 13 flight, this film gets incredibly gripping and intense as the characters are forced to think and act critically to get the astronauts home. The film looks and feels authentic, with its focus on facts and figures, but the characters help make it a moving experience. We wind up rooting for everybody to overcome the challenges of space flight and make it back to Earth safely.

My current score: 4/5
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32:  Rocky

Drama Of: Rocky Balboa, the Italian Stallion.

The Film: The first (and perhaps the best) Rocky film remains the most intimate and compelling drama of the lot; it is an inherently powerful story of how one man is given the rare chance to rise out of the gutter and become a champion, realizing his dream. There are a few slow and rough parts, but when Rocky starts training, the film becomes inspiring, and it carries a strong message to its end that anybody can be a champion if they go the distance.

My current score: 4/5
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31:  Babel

Drama Of: A whole bunch of seemingly-unrelated characters from all over the world who can't seem to communicate right.

The Film: Some would call this a mixed, messy, or pretentious piece of work, but I found it intriguing and moving. It is a gorgeously-crafted mosaic of different people suffering through their own unique trials and tribulations, many of which criss-cross. It all amounts to underscoring the language and cultural barriers that cause us all to clash and fight each other in unpredictable ways.

My current score: 4/5
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30:  Scarface (1983)

Drama Of: Tony Montana.

The Film: Perhaps a bit dated and cheesy now, but it had never held back on showing rampant bloodshed and material excess that would underscore the perversion of the American Dream. Through it all, the film chronicles the rise and fall of Tony Montana from the street level on up; he is an intriguing and nuanced character who is wicked to the core, but has a few redeemable qualities that make his last stand rather powerful.

My current score: 4.5/5
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29:  Amadeus

Drama Of: Antonio Salieri, and his most hated rival: Wolfgang Amadeus Mozart.

The Film: This film could come off as just another dry and stiff period drama. At its core though, the rivalry between the main characters takes the front stage, and it is a conflict that's often funny, thrilling, and compelling. The characterizations are great, the movie flows really well, and it is an intriguing plot well worth seeing.

My current score: 4.5/5
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28:  Gandhi

Drama Of: Mahatma Gandhi.

The Film: An epic-length film for an epic fellow. Gandhi stands as one of the biggest and most influential spiritual leaders, and the film tracks his journey from one major struggle to another. It is inspiring to see how Gandhi's non-violent approach caused such huge waves. With great performances and cinematography, the film does the man great justice.

My current score: 4.5/5
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27:  The Wolf of Wall Street

Drama Of: Jordan Belfort, stock broker.

The Film: Based on the memoirs of the real-life stock broker, this film revels in dirty filthy wealth and excess (much to the chagrin of some audiences). It is a darkly funny and hard-hitting account of the rise and fall of a man who exploits common people for his own gain. As a character study, it is well-composed and well-made, with a strong emphasis on the twisted notions of the American Dream and materialism.

My current score: 4.5/5
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26:  Dances With Wolves

Drama Of: John J. Dunbar, later dubbed "Dances With Wolves."

The Film: A simple story, but a profound one that could apply to any setting (as evidenced by The Last Samurai and Avatar). The tale of Lt. Dunbar is inherently intriguing and invoking as he crosses over cultural and language barriers to assimilate with a Native American tribe, and inevitably fights on their behalf. The movie is most moving thanks to its focus on the character and his transformation.

My current score: 4.5/5
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25:  12 Years a Slave

Drama Of: Solomon Northrup.

The Film: Based on the memoirs of the real-life free man who was taken by slave traders and forced to hard labor. That in itself is a pretty tragic tale, but the film exudes nothing but despair as it chronicles this man's journey in and out of bondage, stuck in a system that purposefully stripped him of his civil rights and ability to fight back. The film has its share of stark moments, but it's the character and performances that allow us to relate to the events, and it all drives home the horror of slavery on a physical and pathological level.

My current score: 4.5/5
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24:  City of Life and Death (Nanjing! Nanjing!)

Drama Of: The soldiers and victims of the Nanking Massacre.

The Film: Easily comparable in both style and content to Schindler's List, for both are well-composed and hard-hitting accounts on real-life atrocities. Based on eye witness accounts, this film outlines the Battle of Nanking, followed by the oppression and enslavement of everybody trapped in the city. It is a harrowing event, and through the eyes of several characters, we are granted a pretty wide view of what happened during this bleak and tragic event.

My current score: 5/5
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23:  The Terminal

Drama Of: Viktor Navorski, the man living in the airport.

The Film: It's an inherently crazy situation to think about, but it has happened for a number of people already (the film itself is inspired by the guy who lived at the Charles de Gaulle airport for 18 years). In The Terminal, Tom Hanks delivers a decent performance that will make us laugh and make us care often. His ordeal at the terminal is filled with charming comedy, a brief but lovely romance, some intense drama, and a whole world of wonderful people.

My current score: 4/5
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22:  Lord of War

Drama Of: Yuri Orlov, arms dealer.

The Film: Style has never been so good! Just look at the film's opening scenes, which show the entire lifetime of a single bullet as a POV shot, and it is an awesome thing to behold. But it's the characters that matter, and Nicholas Cage delivers the performance of a lifetime playing a Russian arms dealer who's forced to sink to some pretty low depths to make ends meet. It's every bit as intense and harrowing as Tony Montana's tale in Scarface, but with guns instead of drugs.

My current score: 5/5
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21:  Life of Pi

Drama Of: Piscine Molitor Patel, survivor.

The Film: It's a fantastic story, but the film makes no pretense concerning realism. Pi Patel's journey is a wondrous and treacherous affair, which brings him face-to-face with death itself, and helps him understand the various truths of life. The film's ending reveals more to the events, but in the end, it's a phenomenal testament to the power of fantastic storytelling.

My current score: 5/5
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To be concluded...

December 11, 2014

Al's Top 100 Favorite Drama Films Part 3

Part 1
Part 2

60:  To Kill a Mockingbird

Drama Of: Scout, her family, her community.

The Film: A classic film adaptation of the classic novel. Through the viewpoints of kids and adults, the film provides a rounded and invoking view of racism and prejudice within an American community (if not society overall). The film gets heavy during certain scenes, but other parts are quite charming and endearing, and it embodies the best and worst of us overall.

My current score: 4/5
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59:  The Wave (Die Welle)

Drama Of: Rainer Wenger, teacher...or dictator?

The Film: A straightforward film with a stark and thought-invoking premise: a school teacher turns his class into a mini-dictatorship that spirals out of control. It's not as crazy as it seems, not only because the film mirrors Nazi Germany, but also because it's based on a real-life case. The film illustrates just how scarily easy it can be for people to slip into conformity under a fascist rule, and the results are quite hard-hitting.

My current score: 4/5
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58:  Anna and the King of Siam (1946)

Drama Of: Anna Leonowens, putting up with King Mongkut.

The Film: Certainly not as cheery, sugar-coated, or romantic as the later musical, this version of the story simply focuses on telling the story, and it is an interesting tale of cultural clashes, with themes of civility and ignorance. Rex Harrison steals the show as the King, but Anna's struggles are enough to maintain interest, and the film overall looks great.

My current score: 4/5
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57:  Carlito's Way

Drama Of: Carlito Brigante, an ex-gangster trying to live clean.

The Film: Pretty much the opposite of Scarface, which showed a man's descent into corruption and madness; here, Al Pacino plays a man trying to rise out of the life of crime, but is inevitably dragged back down by others around him. What makes his conflict so engaging is not only the sporadic violence and gunfighting, but the romance and the overall pathos, which flips the classic archetypes of gangsters on its head and makes Carlito one guy we can root for to the end.

My current score: 4.5/5
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56:  The Wrestler (2008)

Drama Of: Randy Robinson, wrestler.

The Film: It's a rough-looking film that shows no restraint or compromise in exploring the last days of this wrestler. The core struggle he has is whether he should give up fighting and live out his days like a normal person, or risk death to do what he loves doing. Thanks to a heartfelt performance by Mickey Rourke, the character's experiences resonate well and make his story one worth telling.

My current score: 4.5/5
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55:  Bringing Out the Dead

Drama Of: Frank Pierce, paramedic

The Film: I'd say this is one of Martin Scorsese's most underrated films; it's a pretty trippy experience full of brooding emotions, with manic bursts of style and comedy. It all tracks the ups and downs of a paramedic's night shift, and his ongoing guilt over the lives he failed to save. The film is a pretty unique experience as it is, but the characters' expressions make it rather compelling. This might also be one of Nicholas Cage's best performances.

My current score: 4/5
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54:  Cool Hand Luke

Drama Of: Luke Jackson, the coolest man in the chain gang.

The Film: Despite all his insolence, it's hard not to root for Luke, for he is a confident dude who likes to stick it to the man. His struggle against his stern, potentially abusive overseers is a pretty fun thing to watch in itself, but the film treads into some interesting allegories as Luke continuously defines himself as the ultimate rebel. The film and performances are all quite well-done too.

My current score: 4.5/5
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53:   Cast Away

Drama Of: Chuck Nolan, stranded on a desert island.

The Film: It starts off a little slow, but once Chuck's plane crashes, his struggle becomes gripping, intense, and profound. The film lingers on the simple problems of finding food, shelter, clothes, tools, and the means to leave the island. It lasts for years, transforming Chuck in profound ways before he confronts the sea, and possible other forces at work. The film looses some steam during its denouement, but it is all a worthwhile storytelling experience.

My current score: 4/5
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52:  Upstream Color

Drama Of: Kris and Jeff, victims of a brainwashing thief.

The Film: This is a rather moody, surreal experience that never truly gives a straight answer, but it is perhaps most intriguing because it remains so enigmatic. It is an expressionist film that relays its story more through interesting images than through actual actions. Regardless of whether you can follow it or not, the struggle of the characters are what makes it watchable. They go through a pretty freaky experience, and spend the rest of the film coping with it. Everything else is left up to the viewer's imagination and interpretations.

My current score: 5/5
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51:  Magnolia

Drama Of: A bunch of characters whose lives are affected by some pretty random events.

The Film: It's a very broad scope that encompasses a number of seemingly-random people, all with their own share of intriguing drama. With the central theme of a greater force influencing us all with random events, each story is tied up and glued together to form a compelling mosaic.

My current score: 4/5
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50:  The Blind Side

Drama Of: Michael Oher, the boy who rose out of the gutter and became one a successful NFL player.

The Film: A pretty straightforward dramatization of the real-life story, but it is nonetheless inspiring. The film digs into just enough detail to make the story resonate, but is never excessive or distasteful. Performances are great all around, and help make the characters sympathetic through their rough journey.

My current score: 4/5
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49:  Forrest Gump

Drama Of: Forrest Gump.

The Film: A modern-day tall tale that spans across all the generations of the latter-20th century. The audience follows in the worn shoes of the simple-minded, happy-go-lucky Forrest Gump, who just kinda goes from one crazy thing to another like a feather caught in the wind. The film has its share of themes, but it's best watched for its charming characters and the outlandish events they go through.

My current score: 4/5
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48:  The Perfect Storm

Drama Of: The crew of the Andrea Gail, caught in the "Perfect Storm" of 1991.

The Film: This film can be excessive with its special effects and the overbearing sentimentality, but it is still a harrowing experience and quite the tear-jerker. It takes a while for the storm to hit, but the portrayal of swordfishing is intense as it is, and the drama continues all the way through the dark and terrifying onslaught of waves.

My current score: 4/5
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47:  Mesrine Part I:  Killer Instinct and Part II:  Public Enemy Number One

Drama Of: Jacques Mesrine, gangster.

The Films: This massive two-part saga runs through the life and career of this notorious criminal: a man who robs, kills, runs, and never gives up, even when hunted by authorities and after spending time in the most inhumane prison imaginable. The character is as tough and raw as every other gangster on this list, and Vincent Cassel brings him to life perfectly.

My current score: 4/5
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46:  American Hustle

Drama Of: Con artists who help the FBI take a bite out of crime.

The Film: Some would call this overrated and a "con" in itself. Maybe that's the point. Even then, the film is phenomenally stylish and bursting with quality performances. Each character is brought to life vividly and memorably, and they all drive a complex and dynamic plot. In spite of all that, I find it phenomenally entertaining.

My current score: 4/5
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45:  Powder

Drama Of: Jeremy "Powder" Reed, an albino with an extraordinary mind and extraordinary powers.

The Film: Despite its mixed reception, I remember this was quite a powerful and moving film in its day, and I think it's a shame that it seems to have fallen into obscurity. It has some pretty brutal bullying scenes, but it is also a strong character study full of emotional and spiritual power. Strong themes of prejudice emerge more and more as Jeremy endures, and ultimately rises above, the brunt of human fear.

My current score: 4/5
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44:  Trainspotting

Drama Of: Mark Renton, heroin addict.

The Film: The film has some pretty wacky parts, some funny parts, and then there are some seriously messed-up and disgusting parts. The cast is groovy, the soundtrack is really hopping, and the settings are effective. Overall, it's a funny-but-sad account of all the ups and downs of heroin addiction.

My current score: 4/5
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43:  Doubt

Drama Of: Father Brendan Flynn and Sister Aloysius Beauvier...who's right, who's wrong?

The Film: This picture will keep you guessing the whole time; you could watch it one moment and lean to one side of the given argument, but then you could watch it again and think the other way. The film doesn't give you a resolution, just a conundrum which really challenges the faith of the characters, and perhaps the faith of the viewers. Decent performances from the whole cast gives both sides of the story creditable and invoking voices.

My current score: 4/5
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42:  New Jack City

Drama Of:  Nino Brown, crime lord, and Scotty Appleton, the detective trying to bring him down.

The Film: Very much on-par with the best gangster films, not only with the brutality of the criminal world, but also with its sprawling narrative that tracks the good guys, the bad guys, and their overall struggle on both sides of the war on drugs. The film in particular emphasizes the destrucrive nature of crack, and the characters who fight to spread it, stop it, or succumb to it.

My current score: 4.5/5
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41:  Of Mice and Men (1939)

Drama Of: Lennie, a man with a plan, and George, the man who wants nothing more than to pet mice and bunny rabbits.

The Film: This early adaptation of John Steinbeck's awesome novel is pretty much spot-on. Maybe not as disquieting as the 90s version, but this film is well-made with solid photography and solid performances. The story is inherently deep and compelling turn of events, with a lot of parts that are sweet and a hard-hitting finale that's pretty bitter. The storytelling makes this essential viewing, in my opinion.

My current score: 4.5/5
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To be continued...