Every year, I look ahead and look forward to future film releases. But at the beginning of 2016, I cringed a little, because what I saw ahead looked rough. And it was rough, not only in the films themselves but in the way I judging them. When you've seen and own thousands of films, there comes a time when you have to take a step back and ask yourself if you're being too lenient. Halfway through the year, I decided to be more critical on my scores and rankings. It no longer matters if I enjoy a film or not--they are shows in the end with a basis in narrative storytelling and the art of cinema. If a film puts on a good show--a slick combination of a good script, performances, cinematography--then great, it gets a 4 or more! Most films are middling though, and even if I like certain things about them they aren't always worth revisiting or remembering. Thus, I needed to score them more brutally.
Even if I didn't adjust my grading, 2016 films have fallen short all across the board for me personally. Several films had me hyped with the promise of spectacular shows with strong narratives--a new stand-alone Star Wars story, the third Star Trek movie following its spectacular predecessors, a Deadpool film true to the source, another X-Men film, Doctor Strange, Batman vs Superman, Suicide Squad, Captain America: Civil War, and more. Although most of these made bank and have plenty of fan love, they all fell short for me personally in some way or another.
Few standout areas that made this year redeemable for me would be the Asian cinema and horror. From the east, we've had the third official Ip Man film, bringing back Donnie Yen and Wilson Yip to realign the series with the original two numbered films. Despite a few shortcomings, I thought the film was spot-on. But it was only a taste of more cool things to come. South Korea really pumped out some good ones between The Wailing, The Handmaiden (which I haven't seen yet, but only heard good things), Train to Busan (will see for myself soon), and Age of Shadows (once again, haven't seen, but heard good things). Elsewhere, we've been gifted with another Crouching Tiger, Hidden Dragon movie (not particularly great, but entertaining), a second SPL (wasn't a fan, but the fights were cool), and another CGI Final Fantasy movie (didn't understand a thing about it, but it looks gorgeous). Even the States tapped into the eastern chi, releasing a fairly respectable Kung Fu Panda movie, and a wonderful Japanese-inspired fantasy film called Kubo and the Two Strings.
Thankfully, horror and thriller movies have done me no wrong this year. The Neon Demon might be the artsiest and most challenging film I've seen in the cinema, and I loved just about every frame of it--it's an experience unlike any other, and it tells a real whopper of a fable. The Wailing was another incredible title--long and bizarre, perhaps, but definitely something unique, original, and captivating. The Shallows, despite becoming hyperbolic, is genuinely gripping. Green Room and Don't Breathe are intense and volatile. Even though I didn't like the first Cloverfield, its follow-up was pretty thrilling. The second Conjuring film isn't too shabby. The Witch may be one of the most divisive of the year--some people love the quality filming, script, and performances, many hate the slow pacing, but I thought it was worth a look.
Few other surprising highlights: Arrival was a good, mature sci-fi sleeper hit, Zootopia was surprisingly good and intelligent, and there's a bunch of quality movies out there I still haven't discovered (heard good things about Hacksaw Ridge, Deepwater Horizon, Sully, and others). On top of that, Nerve was the most surprising feel-good hit for me personally.
Where the year really feel flat was in a number of misguided sequels. Independence Day: Resurgence is stupid--not even I can turn a blind eye to it. Jason Bourne was rather pointless. New Alice in Wonderland and Snow White movies fell really flat despite their visual whimsy. Zoolander 2...why is there another Zoolander movie? Why did they make an Angry Birds and Warcraft movie after all these years? Why now? And the Ghostbusters remake...I won't even go there. A fourth Sharknado...God help us all...
Despite my griping, 2016 had plenty of enjoyable new titles to explore. Just none that really went the extra mile like I expected. There's only one movie I'd grade a full 5/5, a few I gave a 4/5, and the rest fell in line behind that. Nothing like 2015, when I walked away with a huge fistful of great 5/5 films that will probably become new classics on my shelf (even though my write up back then was probably more griping). I doubt anything else I see from this year will match the enormous impact and feeling films like The Revenant, Ex Machina, Sicario, Mad Max: Fury Road, or Star Wars Episode VII: The Force Awakens did.
Now that the griping is over, here are the films I saw in 2016...
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70: Terminus
Note: Even though this film was finished in 2015, its widespread release was January 2016.
This movie's cover caught my eye and it sounded like an interesting concept. Unfortunately, I found this to be very cheap, small in its scope, and dull. None of the characters really appealed to me, and the movie overall just wasn't that interesting or exciting.
Resonance: Likely to remain obscure.
My current score: 1.5/5
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69: The Duel
Looks
good at first glance--cinematography and performances are quite
attractive. Unfortunately, the film is a bore--it's long, quiet,
drawn-out, and doesn't really offer any good hooks in its story or
characters. If anything, I kept questioning if there was some kind of
political agenda behind this story--it is a movie that seems to harp a
lot on the treatment of Mexicans. Personally, I found it rather
heavy-handed that way.
Resonance: Likely to be forgotten.
My current score: 2/5
--------------------Resonance: Likely to be forgotten.
My current score: 2/5
This is really really ridiculous. Not in a good way though. While the first Zoolander achieved the ideal balance between slapstick, flair, storytelling, and satire, this sequel seems to abandon any notion of balance and goes full retard. Parts of it are funny, sure. But other parts are embarrassingly unfunny (especially the awkward cameo with Benedict Cumberbatch), or just way too overbearing. The plot and the experience suffers in spite of that.
Resonance: This movie is so 2016. It's already forgotten.
My current score: 2/5
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67: Pride and Prejudice and Zombies
How
can a movie that combines Jane Austen era romance with zombie slaying
action turn out so bland? Somehow, the film manages to suck all the fun
out of the concept, leaving nothing but shallow, lifeless characters and
unrealized potential in its wake. Don't know how it compares to the
book, but I do know one thing: that ridiculous Abraham Lincoln: Vampire Hunter movie was much more entertaining than this slug.
Resonance: Likely to be forgotten.
My current score: 2/5
--------------------Resonance: Likely to be forgotten.
My current score: 2/5
66: Gods of Egypt
I was open to seeing Egyptian mythology realized on the big screen, bad CGI and all. Alas, the film turned out to be weird. I mean, they showed the sun god Ra flying on a spaceship shooting at a spaceworm with fireballs, while hauling the sun around on a giant chain around a flat Earth. Just a taste of all the absurdity in this bizarre adventure. It is colorful and somewhat fun, sure, but a very strange and troubling picture in the end.
Resonance: Likely to remain hated, especially since lots of people have hang-ups over the whole whitewashing issue.
My current score: 2/5
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65: Sharknado 4: The Fourth Awakens
64: Synchronicity
Note: Even though this film was finished in 2015, its widespread release was January 2016.
Rather cheap, very drab and dark, and very dry. However, there is a smidgen of color to the script. It is a halfway interesting story that folds time and the characters around in funky ways. It's kinda like a poor(er) man's Primer. I wish it was more lively and more to it, but for sci-fi fans, it's worth a look.
Resonance: Likely to remain obscure.
My current score: 2/5
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63: Midnight Special
An interesting sci-fi tale with enough tension and mystery to keep it entertaining, kinda like a less-scary X-Files episode. Unfortunately, as well-crafted as the film is, it comes off as a little dry and stiff for me personally.
Resonance: Likely to remain well-regarded.
My current score: 2/5
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I was open to seeing Egyptian mythology realized on the big screen, bad CGI and all. Alas, the film turned out to be weird. I mean, they showed the sun god Ra flying on a spaceship shooting at a spaceworm with fireballs, while hauling the sun around on a giant chain around a flat Earth. Just a taste of all the absurdity in this bizarre adventure. It is colorful and somewhat fun, sure, but a very strange and troubling picture in the end.
Resonance: Likely to remain hated, especially since lots of people have hang-ups over the whole whitewashing issue.
My current score: 2/5
--------------------
65: Sharknado 4: The Fourth Awakens
Another Sharknado movie with obvious Star Wars jokes?! Hahahahahaaa!!!
...okay. This is cute and all. Funny. Still cheap and stupid.
Is this series done yet?
Resonance: Likely to remain stupid.
My current score: 2/5
--------------------...okay. This is cute and all. Funny. Still cheap and stupid.
Is this series done yet?
Resonance: Likely to remain stupid.
My current score: 2/5
64: Synchronicity
Note: Even though this film was finished in 2015, its widespread release was January 2016.
Rather cheap, very drab and dark, and very dry. However, there is a smidgen of color to the script. It is a halfway interesting story that folds time and the characters around in funky ways. It's kinda like a poor(er) man's Primer. I wish it was more lively and more to it, but for sci-fi fans, it's worth a look.
Resonance: Likely to remain obscure.
My current score: 2/5
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63: Midnight Special
An interesting sci-fi tale with enough tension and mystery to keep it entertaining, kinda like a less-scary X-Files episode. Unfortunately, as well-crafted as the film is, it comes off as a little dry and stiff for me personally.
Resonance: Likely to remain well-regarded.
My current score: 2/5
62: The Lobster
Note: Even though this film was finished in 2015 and screened at numerous film festivals since, its limited US theatrical release was May 2016.
Well, this is different. The film has one of the oddest premises I've seen. The implicit rules of the film make it fairly engrossing. It's also a rather cold film, offering little to the characters to latch onto. By nature, the film makes some stark and fascinating observations about the way people today connect and all the seeming taboos of love in modern culture. As interesting and well-made as the film is, it's not something that captivated me personally.
Resonance: Likely to find a good following.
My current score: 2/5
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61: Alice Through the Looking Glass
There is such a thing as being too perfect. For whatever reason, I enjoyed Tim Burton's Alice in Wonderland back in 2010, warts and all. Six years later, this follow-up gives so much sumptuous spectacle. It all looks so lavish, polished, and exquisite, it becomes strangely droll. Even with cute new concepts concerning time travel and a plethora of new critters and oddities, Alice's return to Wonderland comes off as shallow and bland.
Resonance: Does anybody even remember the first movie?
My current score: 2/5
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As a film, this matches up with the style of Snow White and the Huntsman. As a story, it's not even close. Quality production, star power, and visual oomph have some good dazzle, but it's largely unmemorable, contrived, and shallow. I believe for whatever reason they simply added too much into the mix--too many twists on the classic story, too may added characters, too much added lore. The first movie remains compelling (to my anyway) in the way it told a familiar story in a new way. This is more like telling familiar cliches in a tiresome old way.
Resonance: Likely to remain a failure.
My current score: 2/5
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59: Death Race 2050
58: Jason Bourne
We know his name. Unfortunately, we know everything else about Jason Bourne too. With his character arc completed in the original three films, where else can this go, but retread the same formula as before? Unsurprisingly, Jason Bourne is more of the same, stringing together a repetitive sequence of chases and counter-chases until the man inevitably beats people up and finds answers. There are cool parts, but the film is so stuffy, bland, understated, and so full of hyperkenetic action scenes you can't ever really see, the experience is simultaneously droll and exhausting.
Resonance: Will anybody remember this next year?
My current score: 2/5
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57: Free State of Jones
56: Ben-Hur
55: Hail, Caesar!
Like Hollywood itself, this picture looks great and has wonderful presentation, but it comes off as phony. It is mildly amusing to watch this story unfold across varying backdrops of Hollywood sets, parodying multiple genres as it goes along. Acting and writing are fine. But everything else falls flat, especially when compared to other films by the Coen Bros. Not even funny accents help--the film isn't really that funny, that emotional, that deep, or that compelling. It's just kinda there.
Resonance: Likely to be forgotten.
My current score: 2.5/5
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54: The Purge: Election Year
Note: Even though this film was finished in 2015 and screened at numerous film festivals since, its limited US theatrical release was May 2016.
Well, this is different. The film has one of the oddest premises I've seen. The implicit rules of the film make it fairly engrossing. It's also a rather cold film, offering little to the characters to latch onto. By nature, the film makes some stark and fascinating observations about the way people today connect and all the seeming taboos of love in modern culture. As interesting and well-made as the film is, it's not something that captivated me personally.
Resonance: Likely to find a good following.
My current score: 2/5
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61: Alice Through the Looking Glass
There is such a thing as being too perfect. For whatever reason, I enjoyed Tim Burton's Alice in Wonderland back in 2010, warts and all. Six years later, this follow-up gives so much sumptuous spectacle. It all looks so lavish, polished, and exquisite, it becomes strangely droll. Even with cute new concepts concerning time travel and a plethora of new critters and oddities, Alice's return to Wonderland comes off as shallow and bland.
Resonance: Does anybody even remember the first movie?
My current score: 2/5
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60: The Huntsman: Winter's War
As a film, this matches up with the style of Snow White and the Huntsman. As a story, it's not even close. Quality production, star power, and visual oomph have some good dazzle, but it's largely unmemorable, contrived, and shallow. I believe for whatever reason they simply added too much into the mix--too many twists on the classic story, too may added characters, too much added lore. The first movie remains compelling (to my anyway) in the way it told a familiar story in a new way. This is more like telling familiar cliches in a tiresome old way.
Resonance: Likely to remain a failure.
My current score: 2/5
--------------------
59: Death Race 2050
It's everything Sharknado 4
wants to be. A far cry from the gory, serious 2008 movie (and its
sequels), this modern low-budget farce taps into the same spirit as the
original Death Race 2032, but updated for the times. The satire
is pretty sharp, cutting through a whole slew of issues with the
craziest of sketches. It is a pretty dumb and cheap film, but it's
hardly ever a bore--the film has lots of energy and a few laughs, easily
on-par with such schlock as Zombie Strippers.
Resonance: Likely to be dismissed.
My current score: 2.5/5
-------------------- Resonance: Likely to be dismissed.
My current score: 2.5/5
58: Jason Bourne
We know his name. Unfortunately, we know everything else about Jason Bourne too. With his character arc completed in the original three films, where else can this go, but retread the same formula as before? Unsurprisingly, Jason Bourne is more of the same, stringing together a repetitive sequence of chases and counter-chases until the man inevitably beats people up and finds answers. There are cool parts, but the film is so stuffy, bland, understated, and so full of hyperkenetic action scenes you can't ever really see, the experience is simultaneously droll and exhausting.
Resonance: Will anybody remember this next year?
My current score: 2/5
--------------------
57: Free State of Jones
A
competent film with good performances. Unfortunately, it's also a film
that lacks pace and consistency. It becomes quite a bore after the first
act. The history of the story is interesting, few good war scenes, but
this material should have had a bigger punch in some way. As it is, the
film falls flat.
Resonance: Likely to be forgotten.
My current score: 2.5/5
--------------------Resonance: Likely to be forgotten.
My current score: 2.5/5
56: Ben-Hur
Nobody
wanted this. The Charlton Hesten film from the 50s stood the test of
time and remains the definitive adaptation of the story.
And yet, here it is: the 2016 iteration of Ben-Hur. Frenetic action scenes are neat (what can you expect from the crazy Russian who gifted us all with Wanted and Abraham Lincoln: Vampire Hunter?). Everything else is rather bland--typical historic epic with nice-looking sets and props, but nothing special to the script or performances.
Resonance: Likely to be forgotten in the long run.
My current score: 2.5/5
-------------------- And yet, here it is: the 2016 iteration of Ben-Hur. Frenetic action scenes are neat (what can you expect from the crazy Russian who gifted us all with Wanted and Abraham Lincoln: Vampire Hunter?). Everything else is rather bland--typical historic epic with nice-looking sets and props, but nothing special to the script or performances.
Resonance: Likely to be forgotten in the long run.
My current score: 2.5/5
55: Hail, Caesar!
Like Hollywood itself, this picture looks great and has wonderful presentation, but it comes off as phony. It is mildly amusing to watch this story unfold across varying backdrops of Hollywood sets, parodying multiple genres as it goes along. Acting and writing are fine. But everything else falls flat, especially when compared to other films by the Coen Bros. Not even funny accents help--the film isn't really that funny, that emotional, that deep, or that compelling. It's just kinda there.
Resonance: Likely to be forgotten.
My current score: 2.5/5
54: The Purge: Election Year
This film couldn't be more timely. All of The Purge
films have implicit themes that criticize American society, but coming
out just months before the historic election of 2016 which could make or
break the country. The latest Purge film seems all the more
stark in spite of this, as if it's consciously channeling American
hysteria and insanity into a violence-ridden nightmare.
Unfortunately, this is not a nightmare that resonates with me personally. Save for a few interesting scenes, the film's plot and characters never really captivated me. The second film seems to be where this series peaked so far.
Resonance: Likely to have a following. Hopefully they'll be more rational than all the Trump and Clinton followers.
My current score: 2.5/5
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53: The 5th Wave
I was okay with this movie. Biggest problem is that this is just following in the wave of other YA adaptations that have come before it, so it comes off as the same old thing. It's a straightforward film that could be stronger in some respects. But it is also story with a few cool things and a fair amount of pathos and action. Genre fans might still get a kick out of it.
Resonance: I wonder if this could become a cult hit.
My current score: 2.5/5
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52: SPL 2: A Time For Consequences (Kill Zone 2)
Note: Even though this film was finished in 2015 its widespread US release wasn't until 2016.
Martial arts fans will rejoice over the fight scenes, which are pretty fast and intense. Fans will also get a kick out of seeing Tony Jaa in action, just as Donnie Yen had a chance to shine in the first SPL film. Problem I see is that this is so melodramatic, it seems to take itself a little too seriously, coming off as weepy and perhaps even pretentious (as much as I hate the term). The film hurls a lot of personal stakes at the wall, but they never really stuck with me. It's all about the style and violence--I appreciated those things more in the first film, but at least it had a fairly engaging story to go with it, and a tone that worked. In this follow-up, it felt contrived and sappy.
Also, why is this an SPL film anyway? There's hardly anything to connect these movies.
Resonance: Likely to remain a hit among genre fans.
My current score: 2.5/5
Unfortunately, this is not a nightmare that resonates with me personally. Save for a few interesting scenes, the film's plot and characters never really captivated me. The second film seems to be where this series peaked so far.
Resonance: Likely to have a following. Hopefully they'll be more rational than all the Trump and Clinton followers.
My current score: 2.5/5
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53: The 5th Wave
I was okay with this movie. Biggest problem is that this is just following in the wave of other YA adaptations that have come before it, so it comes off as the same old thing. It's a straightforward film that could be stronger in some respects. But it is also story with a few cool things and a fair amount of pathos and action. Genre fans might still get a kick out of it.
Resonance: I wonder if this could become a cult hit.
My current score: 2.5/5
52: SPL 2: A Time For Consequences (Kill Zone 2)
Note: Even though this film was finished in 2015 its widespread US release wasn't until 2016.
Martial arts fans will rejoice over the fight scenes, which are pretty fast and intense. Fans will also get a kick out of seeing Tony Jaa in action, just as Donnie Yen had a chance to shine in the first SPL film. Problem I see is that this is so melodramatic, it seems to take itself a little too seriously, coming off as weepy and perhaps even pretentious (as much as I hate the term). The film hurls a lot of personal stakes at the wall, but they never really stuck with me. It's all about the style and violence--I appreciated those things more in the first film, but at least it had a fairly engaging story to go with it, and a tone that worked. In this follow-up, it felt contrived and sappy.
Also, why is this an SPL film anyway? There's hardly anything to connect these movies.
Resonance: Likely to remain a hit among genre fans.
My current score: 2.5/5
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51: Keanu
An amusing premise that toys around with action and crime movie cliches. Didn't really make me laugh though. Not a bad film or a bad idea, but I would have loved it more if it went the extra mile and embraced absurdity more. As it is, I found this film rather daft and dry.
Resonance: Likely to be forgotten.
My current score: 2.5/5
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50: Everybody Wants Some!!
A well-filmed package of energetic performances and a kick-ass soundtrack that's bound to hit audiences hard in the nostalgia bone, especially if you're enamored by everything from the 80s. Like most other Linklater films, however, I find myself completely disinterested and disconnected from the petty trials and tribulations of these characters and their random, directionless adventures. Not quite as loathsome as Boyhood, but not quite as interesting as Dazed and Confused.
Resonance: Likely to remain well-regarded.
My current score: 2.5/5
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49: Crouching Tiger, Hidden Dragon: Sword of Destiny
The good news is, fight scenes are pretty cool, few big stars, and certain scenes are worth seeing. Bad news is, the movie just looks and feels cheap, and doesn't marry well with the original film at all. I'm not even clear on how they connect, other than the fancy sword and the main characters. Not bad entertainment, but not necessary.
Resonance: Likely to be forgotten.
My current score: 2.5/5
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48: Kingsglaive: Final Fantasy XV
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47: Now You See Me 2
46: Ghostbusters
Note: Even though this film was finished in 2015, its widespread US release was April 2016.
This is by far the one and only movie of its kind that I know of: beginning-to-end first-person camera, in the eyes of a cyborg that kills numerous bad guys. The action's incredible, well-staged, and never dull. What makes it so fun is that it is always varied, and there's just enough character and personality to make it watchable (even if the camera gets a little hyper).
Resonance: Likely to find a following.
My current score: 3/5
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Another year, another live-action Disney flick. Fortunately, The Jungle Book is one of the better ones. There's plenty of peril and adventure. The tone is spot-on. A few funny and charming parts, especially once Baloo saunters into the movie and chews the scenery (ah yes, that's the Bill Murray I know and love the most). While I don't think the musical numbers were really necessary, I am smitten by Scarlett Johansson's version of "Trust In Me." Above all, this version of the story does tie together all the familiar plot points in a decent new way, while underscoring key themes of maturity and mankind's innovation.
Resonance: Likely to remain pretty well-regarded.
My current score: 3/5
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ROAAAWWWW!!! Captain America!!!! Iron Man!!! Bucky!!!! Black Widdow!!! Hawkeye!!! Vision!!!!! Spider-Man!!! Ant-Man!!! Falcon!!! And I forget who else!!! They all get together in one big fight and it's all like ROOOAAAWWWWWWRRRRR!!!
No seriously, I do think this film juggles a little too much. It does hit a few good character points in the Marvel series and the core debate is a compelling one. And the action is pretty cool. Unfortunately, I felt that the film should have kept its heart and soul firmly rooted in the core relationship between Captain America and Bucky, rather than branching out to all the other Marvel heroes. I find it a bit crowded, and in spite of that, I came out feeling more for Iron Man for some reason than the actual title character.
Resonance: Likely to remain popular.
My current score: 3/5
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34: A Hologram for the King
Maybe nothing special, but I have to hand it to the film: it didn't bore me. Parts of it are actually kinda funny--a lot of the charm hinges on Tom Hanks just being Tom Hanks, as I remember him from movies like Big or The Money Pit, only now it emerges from facing cultural barriers in a manner comparable to Lost in Translation. The drama tends to become a little stiff, but the film is at its best when Tom Tykwer's crazy tweaking happens, firing off some incredibly strange and surreal sequences at key moments. Moments like these made the movie better than I expected, and it might even grow on my like some crazy tumor on the spine.
Resonance: Will likely be forgotten quickly.
My current score: 3/5
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33: Lights Out
Interesting premise, realized in a pretty solid fashion thanks to a unique backstory and the way the film entwines supernatural and psychological terror together. It is a pretty decent ghost story with a few major scares. Unfortunately, a lot of these scares are annoying jump-scares, and as strong as the characters are, they do make a few dumb moves. It can also be a stretch to really grasp how all this stuff can happen for so long without anybody knowing. For a quick horror fix, the film does its job okay.
Resonance: I could see this becoming a cult film.
My current score: 3/5
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32: Eddie the Eagle
Technically not a bad film by any means. It's an inherently inspiring story that anybody could look up to, especially for all outcasts and oddballs who can't ever seem to achieve their dreams. In a way, this is like a British Cool Runnings. It's colorful, brisk, full of heart. For me personally, I found it a little too lightweight, maybe even a little too heavy-handed.
Resonance: Likely to remain well-regarded.
My current score: 3/5
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Note: Even though this film was finished in 2015, its widespread theatrical release was February 2016.
Most of this film is a period drama, with witchcraft as a source of terror that spurs an even greater terror rooted in religious fanaticism and human intolerance. Those issues make this film a fascinating watch and may keep me going back for more, especially in the context of the freaky, stark ending. Unfortunately, the road to that finale is paved with stiff and sometimes uneventful drama.
Resonance: Likely to remain divisive.
My current score: 3/5
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This is one thriller designed to get under your skin. It's dark and intense, with its simple premise hinging entirely on characters trapped in a house with a man they shouldn't have messed with. In a way, it's like a modernized fable that echoes the classic tale of the labyrinth and Minotaur--the antagonist is just as cruel and menacing as that beast. The film's claustrophobic settings paint the maze very well.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
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21: Warcraft
Maybe ten years too late for anybody to really care, but I expected much worse, especially after so many bad fantasy movies over the past several years. Warcraft is true to the source, so full of rich lore and style that matches the original RTS games aptly. Many viewers found the movie confusing in its constant name-dropping, but I personally didn't think it was that bad. I enjoyed the flow of the story and characters, and it all built up to a pretty cool series of epic-sized battle scenes.
Resonance: Looks like it's pretty well-embraced by fans and casual audiences alike, despite what critics think. It could find a good home in many people's collections.
My current score: 3.5/5
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20: 10 Cloverfield Lane
I hated Cloverfield. Now eight years later, this stand-alone spin-off provides something new, and it's everything the first film wasn't: well-filmed and full of characters worth caring about. It's a small-scale thriller with only three players, but the film builds all its tension on the psychological terror and mystery behind the characters. That's probably far more valuable than any huge city-destroying monster, and as a thriller, this film delivers.
Resonance: Likely to remain a hit.
My current score: 3.5/5
51: Keanu
An amusing premise that toys around with action and crime movie cliches. Didn't really make me laugh though. Not a bad film or a bad idea, but I would have loved it more if it went the extra mile and embraced absurdity more. As it is, I found this film rather daft and dry.
Resonance: Likely to be forgotten.
My current score: 2.5/5
--------------------
50: Everybody Wants Some!!
A well-filmed package of energetic performances and a kick-ass soundtrack that's bound to hit audiences hard in the nostalgia bone, especially if you're enamored by everything from the 80s. Like most other Linklater films, however, I find myself completely disinterested and disconnected from the petty trials and tribulations of these characters and their random, directionless adventures. Not quite as loathsome as Boyhood, but not quite as interesting as Dazed and Confused.
Resonance: Likely to remain well-regarded.
My current score: 2.5/5
49: Crouching Tiger, Hidden Dragon: Sword of Destiny
The good news is, fight scenes are pretty cool, few big stars, and certain scenes are worth seeing. Bad news is, the movie just looks and feels cheap, and doesn't marry well with the original film at all. I'm not even clear on how they connect, other than the fancy sword and the main characters. Not bad entertainment, but not necessary.
Resonance: Likely to be forgotten.
My current score: 2.5/5
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48: Kingsglaive: Final Fantasy XV
Watching Kingsglaive assumes the following: you're interested in the Final Fantasy
game in some way and you want some more media to fill in the gaps. As a
companion to the new game, the film does its job: you get something of a
story and a huge heaping of delicious eye-candy to psyche you up. This
is best seen for the awesome CGI work, action, and visual design--it's
all top notch, and this may be the best-looking CGI film of the year.
Can't say I cared (or even understood) anything else about it though.
Resonance: Likely to remain a hit for franchise fans.
My current score: 3/5
Resonance: Likely to remain a hit for franchise fans.
My current score: 3/5
47: Now You See Me 2
If
you're a fan of the first film, this is worth a rent to see what
happens next after all those fabulous plot twists. Unfortunately, the
film is rather bland and convoluted, lacking the flair and energy of its
predecessor. Few neat tricks though.
Resonance: Likely to be forgotten.
My current score: 3/5
--------------------Resonance: Likely to be forgotten.
My current score: 3/5
46: Ghostbusters
Why in the living freak did they remake this?!!
You know what though? It's watchable. It was never destined to outclass the 1984 classic. Take it on its own merits, get over the controversy over the casting, and there are things to admire. There are a few good laughs--maybe not as many as the original film, but it is a colorful film and the cast is lively enough to give it a separate identity. The film's best asset might be in its polished production value and large-scale spectacle. It's all fine, dandy, harmless fun in the end--certainly not in the same league as previous films, but this is far from the disaster I expected.
Resonance: Seems to be a huge love-it-or-hate-it film. Not sure if sequels are scheduled at this time.
My current score: 3/5
--------------------
45: Suicide Squad
Yowza, what a mess. This is a pretty cool story filled with some awesome characters, but once Warner Brothers saw how divisive people were over Batman V Superman, they decided to chop and dice it all up so they could package it up and hope it'll work as lightning in a bottle. The end result is choppy and uneven, to the point where straightforward plot points become convoluted, tension is eradicated, story twists are prematurely spoiled, and the most important aspects are spouted out with exposition. There's no denying that this is DC's frantic sprint to catch up to Marvel. However, there are moments worth seeing. The cast admirably gives life to the film's eclectic cast. Action is fairly cool at times, some lines are good, and the experience is rarely dull.
Resonance: Likely to be a love-it-or-hate-it film.
My current score: 3/5
--------------------
44: Independence Day: Resurgence
They're back. They're bigger. They're meaner. And they still like to hit the landmarks! This long-awaited sequel to 1996's spirited and innovative blockbuster won't recapture the same magic or sense of awe that came before, but on its own merits, it's an enjoyable disaster-movie romp. The scope is massive, action is plentiful. Best of all though, the characters remain colorful and at least attempt to keep the movie rooted in heart and a sense of fun. There are a lot of things that can be nitpicked--I personally wish there was more mass destruction (not just actual destruction, but more about the aftermath and how people are coping), some scenes are choppy, the film is very dark and dim, and not every joke it a hit. But in the same vein as any given Godzilla sequel from the 80s or 90s, the film does an excellent job of making a fun adventure out of human beings banding together once again to combat an impossible, destructive threat.
Resonance: Likely to be held in far less regard than the first movie, but despite a thorough critical bashing, I think it'll find enough love among average moviegoers.
My current score: 3/5
--------------------
43: The Angry Birds Movie
Do people still play Angry Birds? Why a movie? Why now? While we're at it, why Warcraft too? What's with adapting all the old games this year?
Angry Birds is rude and crude for the kids, and adults might be a little weirded and grossed out. But it is watchable--nice animation quality, few good laughs, and solid character arcs. I got to admit, there are days when I can relate to the red bird dude.
Resonance: Well, a sequel is planned, but I doubt this movie will have a lasting impact.
My current score: 3/5
--------------------
42: Sully
41: The Magnificent Seven
40: Hell or High Water
You know what though? It's watchable. It was never destined to outclass the 1984 classic. Take it on its own merits, get over the controversy over the casting, and there are things to admire. There are a few good laughs--maybe not as many as the original film, but it is a colorful film and the cast is lively enough to give it a separate identity. The film's best asset might be in its polished production value and large-scale spectacle. It's all fine, dandy, harmless fun in the end--certainly not in the same league as previous films, but this is far from the disaster I expected.
Resonance: Seems to be a huge love-it-or-hate-it film. Not sure if sequels are scheduled at this time.
My current score: 3/5
--------------------
45: Suicide Squad
Yowza, what a mess. This is a pretty cool story filled with some awesome characters, but once Warner Brothers saw how divisive people were over Batman V Superman, they decided to chop and dice it all up so they could package it up and hope it'll work as lightning in a bottle. The end result is choppy and uneven, to the point where straightforward plot points become convoluted, tension is eradicated, story twists are prematurely spoiled, and the most important aspects are spouted out with exposition. There's no denying that this is DC's frantic sprint to catch up to Marvel. However, there are moments worth seeing. The cast admirably gives life to the film's eclectic cast. Action is fairly cool at times, some lines are good, and the experience is rarely dull.
Resonance: Likely to be a love-it-or-hate-it film.
My current score: 3/5
44: Independence Day: Resurgence
They're back. They're bigger. They're meaner. And they still like to hit the landmarks! This long-awaited sequel to 1996's spirited and innovative blockbuster won't recapture the same magic or sense of awe that came before, but on its own merits, it's an enjoyable disaster-movie romp. The scope is massive, action is plentiful. Best of all though, the characters remain colorful and at least attempt to keep the movie rooted in heart and a sense of fun. There are a lot of things that can be nitpicked--I personally wish there was more mass destruction (not just actual destruction, but more about the aftermath and how people are coping), some scenes are choppy, the film is very dark and dim, and not every joke it a hit. But in the same vein as any given Godzilla sequel from the 80s or 90s, the film does an excellent job of making a fun adventure out of human beings banding together once again to combat an impossible, destructive threat.
Resonance: Likely to be held in far less regard than the first movie, but despite a thorough critical bashing, I think it'll find enough love among average moviegoers.
My current score: 3/5
--------------------
43: The Angry Birds Movie
Do people still play Angry Birds? Why a movie? Why now? While we're at it, why Warcraft too? What's with adapting all the old games this year?
Angry Birds is rude and crude for the kids, and adults might be a little weirded and grossed out. But it is watchable--nice animation quality, few good laughs, and solid character arcs. I got to admit, there are days when I can relate to the red bird dude.
Resonance: Well, a sequel is planned, but I doubt this movie will have a lasting impact.
My current score: 3/5
42: Sully
As
the movie's title promises, this is a fairly evocative character study
about the man who safely landed a plane in the Hudson River and saved
thousands of lives. Where's the story in this? Mostly internalized--much
of the film's power lies in Sully's agony as he questions his decisions
and comes under fire from questioning authorities. And Tom Hanks brings
the agony to life well. Everything else is pretty standard--nothing
about the cinematography, writing, or production design really wowed me.
Resonance: Likely to remain well-regarded.
My current score: 3/5
-------------------- Resonance: Likely to remain well-regarded.
My current score: 3/5
41: The Magnificent Seven
Looks
magnificent, sure. The cast is quite varied and each actor pulls their
own weight pretty well. Story is crammed full of shoot-outs and
everything. But for some reason, very little of this film stood out to
me. Maybe because, despite how good the production value and camera work
is, it never really felt like it went above-and-beyond. It came off as
just another western to me. Funnily enough, my feeling is the same for
the original. Ah heck, just give me Seven Samurai any day!
Resonance: Looks like it'll remain popular.
My current score: 3/5
--------------------Resonance: Looks like it'll remain popular.
My current score: 3/5
40: Hell or High Water
Worth
seeing for the story and a few thrills. The film is at its best when it
immerses the audience in the characters' troubled world of hardships
and the crimes that erupts out of it. Unfortunately, I felt the film
lost most of its steam early on, and it didn't necessarily captivate me
for its entire runtime.
Resonance: Likely to remain well-regarded.
My current score: 3/5
-------------------- Resonance: Likely to remain well-regarded.
My current score: 3/5
39: Hardcore Henry
Note: Even though this film was finished in 2015, its widespread US release was April 2016.
This is by far the one and only movie of its kind that I know of: beginning-to-end first-person camera, in the eyes of a cyborg that kills numerous bad guys. The action's incredible, well-staged, and never dull. What makes it so fun is that it is always varied, and there's just enough character and personality to make it watchable (even if the camera gets a little hyper).
Resonance: Likely to find a following.
My current score: 3/5
--------------------
38: The Jungle Book
Another year, another live-action Disney flick. Fortunately, The Jungle Book is one of the better ones. There's plenty of peril and adventure. The tone is spot-on. A few funny and charming parts, especially once Baloo saunters into the movie and chews the scenery (ah yes, that's the Bill Murray I know and love the most). While I don't think the musical numbers were really necessary, I am smitten by Scarlett Johansson's version of "Trust In Me." Above all, this version of the story does tie together all the familiar plot points in a decent new way, while underscoring key themes of maturity and mankind's innovation.
Resonance: Likely to remain pretty well-regarded.
My current score: 3/5
--------------------
37: The BFG
36: Swiss Army Man
For a movie called The BFG,
I am shocked and disappointed that an actual BFG doesn't appear
anywhere in the film. I mean, there is no Big F**king Gun anywhere.
There are bigger f**king guns in a Star Wars movie, but surely, the filmmakers blew their chance to show the BFG-5000 from Doom in all its mass-destructive glory.
Oh...Big Friendly Giant. Well, that's different. And for what it is the film is one big friendly fable. I expected Spielberg's sentimentality to turn this into a sapfest, but it turned out to be much more endearing. Some of the scenes are gorgeously shot and rendered, and the BFG himself is quite a likable character. Few low-brow moments and the meandering plot keeps this from becoming anything epic, but it is a nice, harmless, and very whimsical picture in the end.
Resonance: Likely to become regarded as underrated.
My current score: 3/5
--------------------Oh...Big Friendly Giant. Well, that's different. And for what it is the film is one big friendly fable. I expected Spielberg's sentimentality to turn this into a sapfest, but it turned out to be much more endearing. Some of the scenes are gorgeously shot and rendered, and the BFG himself is quite a likable character. Few low-brow moments and the meandering plot keeps this from becoming anything epic, but it is a nice, harmless, and very whimsical picture in the end.
Resonance: Likely to become regarded as underrated.
My current score: 3/5
36: Swiss Army Man
Oh jeez, and I thought The Lobster was a weird concept.
Swiss Army Man has the novelty of showing the profound relationship between a man struggling to survive, and a re-animated corpse. The corpse happens to become a multipurpose tool, using all his bodily functions (especially the grossest of them) to get the main character home to safety. Yep, the quirk meter is through the roof with this one, especially with the ridiculous soundtrack and persistence of low-brow humor. At times, it's overbearing. Other times, it's actually a fairly amusing picture.
Resonance: Likely to remain well-regarded by many, hated by some.
My current score: 3/5
--------------------Swiss Army Man has the novelty of showing the profound relationship between a man struggling to survive, and a re-animated corpse. The corpse happens to become a multipurpose tool, using all his bodily functions (especially the grossest of them) to get the main character home to safety. Yep, the quirk meter is through the roof with this one, especially with the ridiculous soundtrack and persistence of low-brow humor. At times, it's overbearing. Other times, it's actually a fairly amusing picture.
Resonance: Likely to remain well-regarded by many, hated by some.
My current score: 3/5
35: Captain America: Civil War
ROAAAWWWW!!! Captain America!!!! Iron Man!!! Bucky!!!! Black Widdow!!! Hawkeye!!! Vision!!!!! Spider-Man!!! Ant-Man!!! Falcon!!! And I forget who else!!! They all get together in one big fight and it's all like ROOOAAAWWWWWWRRRRR!!!
No seriously, I do think this film juggles a little too much. It does hit a few good character points in the Marvel series and the core debate is a compelling one. And the action is pretty cool. Unfortunately, I felt that the film should have kept its heart and soul firmly rooted in the core relationship between Captain America and Bucky, rather than branching out to all the other Marvel heroes. I find it a bit crowded, and in spite of that, I came out feeling more for Iron Man for some reason than the actual title character.
Resonance: Likely to remain popular.
My current score: 3/5
--------------------
34: A Hologram for the King
Maybe nothing special, but I have to hand it to the film: it didn't bore me. Parts of it are actually kinda funny--a lot of the charm hinges on Tom Hanks just being Tom Hanks, as I remember him from movies like Big or The Money Pit, only now it emerges from facing cultural barriers in a manner comparable to Lost in Translation. The drama tends to become a little stiff, but the film is at its best when Tom Tykwer's crazy tweaking happens, firing off some incredibly strange and surreal sequences at key moments. Moments like these made the movie better than I expected, and it might even grow on my like some crazy tumor on the spine.
Resonance: Will likely be forgotten quickly.
My current score: 3/5
33: Lights Out
Interesting premise, realized in a pretty solid fashion thanks to a unique backstory and the way the film entwines supernatural and psychological terror together. It is a pretty decent ghost story with a few major scares. Unfortunately, a lot of these scares are annoying jump-scares, and as strong as the characters are, they do make a few dumb moves. It can also be a stretch to really grasp how all this stuff can happen for so long without anybody knowing. For a quick horror fix, the film does its job okay.
Resonance: I could see this becoming a cult film.
My current score: 3/5
32: Eddie the Eagle
Technically not a bad film by any means. It's an inherently inspiring story that anybody could look up to, especially for all outcasts and oddballs who can't ever seem to achieve their dreams. In a way, this is like a British Cool Runnings. It's colorful, brisk, full of heart. For me personally, I found it a little too lightweight, maybe even a little too heavy-handed.
Resonance: Likely to remain well-regarded.
My current score: 3/5
--------------------
31: The Nice Guys
Nice
film. Nice soundtrack. Nice period reproduction. Nice little story with
a few amusing twists and turns and a hip cast. Nice film overall. No
real complaints--it's a film with plenty of zing and color. For me
personally, I came out thinking it's a nice film, and little more.
Resonance: Likely to remain well-regarded.
My current score: 3/5
--------------------
30: Deepwater Horizon
Resonance: Likely to remain well-regarded.
My current score: 3/5
--------------------
30: Deepwater Horizon
Solid
drama with intense disaster scenes, creditable performances, and a few
exquisite bursts of style. It could have really grabbed my heart out of
my chest if the characters were a little less cliched and if the film
overall didn't have a certain "been there, done that" feeling to it. As a
dramatization of a real-life tragedy, it's certainly worth the time.
Doubt I'll be able to remember it by next year though.
Resonance: Likely to be well-liked.
My current score: 3/5
-------------------- Resonance: Likely to be well-liked.
My current score: 3/5
29: The Witch
Note: Even though this film was finished in 2015, its widespread theatrical release was February 2016.
Most of this film is a period drama, with witchcraft as a source of terror that spurs an even greater terror rooted in religious fanaticism and human intolerance. Those issues make this film a fascinating watch and may keep me going back for more, especially in the context of the freaky, stark ending. Unfortunately, the road to that finale is paved with stiff and sometimes uneventful drama.
Resonance: Likely to remain divisive.
My current score: 3/5
--------------------
28: Green Room
Note: even though this film was finished in 2015, its widespread theatrical release was April 2016.
A fascinating thriller based more on the situation than on anything else. It becomes tense when the characters become trapped and oppressed, but even at its heights pacing can be a hit-or-a-miss. One of the biggest things about this movie: Patrick Stewart as a creepy, mean villain. Somehow, it works.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
--------------------
27: The Conjuring 2
Kinda like more of the same--ghosts, possessions, etc. Its quality is on-par with its predecessor though: plenty of nice cinematography, performances, and creepy effects to satisfy. What makes it worthwhile will be revisiting the lead characters again, who feel more familiar after two of these suckers. I also got a kick out of the opening. My only complaint is that the film is rather long for what it is, straining some tension.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
--------------------
26: Teenage Mutant Ninja Turtles: Out of the Shadows
25: The Secret Life of Pets
Cute concept. Kids ought to love it for the cartoony peril, but the characters are full of heart and the comedic timing is apt enough to keep parents' attention. On the same level as Bolt, this is a pretty amusing, eye-popping urban adventure.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
24: Train to Busan (Busanhaeng)
23: Finding Dory
Same movie as Finding Nemo, but now in a new setting with more to explore. Despite rehashing a few gags and plot points, the film does successfully dig deeper into everyone's favorite Blue Tang without getting too overbearing. Comedy's cute, light, and tasteful. Kids and parents alike oughta dig this colorful adventure.
Resonance: Likely to remain a modest hit.
My current score: 3.5/5
--------------------
22: Don't Breathe
A fascinating thriller based more on the situation than on anything else. It becomes tense when the characters become trapped and oppressed, but even at its heights pacing can be a hit-or-a-miss. One of the biggest things about this movie: Patrick Stewart as a creepy, mean villain. Somehow, it works.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
--------------------
27: The Conjuring 2
Kinda like more of the same--ghosts, possessions, etc. Its quality is on-par with its predecessor though: plenty of nice cinematography, performances, and creepy effects to satisfy. What makes it worthwhile will be revisiting the lead characters again, who feel more familiar after two of these suckers. I also got a kick out of the opening. My only complaint is that the film is rather long for what it is, straining some tension.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
26: Teenage Mutant Ninja Turtles: Out of the Shadows
Dude,
you should know what you're getting into with this. It's the Turtles,
and it's more true to the source than the 2014 movie. They ditched a lot
of the crap that didn't work, dug up some nostalgic elements that do
work, and you know what? Now it all works. Make no mistake though, this
is still a very silly and mindless action flick with tons of cartoony
CGI, a silly script, and a smattering of bad comedy. You know what
though? As one who soaked in the cartoons as a kid, I really dug the
direction of this sequel, and was thoroughly psyched and pleased to see
the classic Turtle team align better with the original show, right down
to recreating the totally rad theme song. This is far from a great
movie, but I loved it the same way Mikey loves pizza.
Resonance: Probably won't go far, but it could find a following.
My current score: 3.5/5
-------------------- Resonance: Probably won't go far, but it could find a following.
My current score: 3.5/5
25: The Secret Life of Pets
Cute concept. Kids ought to love it for the cartoony peril, but the characters are full of heart and the comedic timing is apt enough to keep parents' attention. On the same level as Bolt, this is a pretty amusing, eye-popping urban adventure.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
24: Train to Busan (Busanhaeng)
Zombies on a train--it doesn't get much more intense than that. Part of this film is like Bullet Train, in the sense people are stuck on a train that can't stop. Above all, there a bit of that World War Z
vibe, as the cabins become loaded with relentlessly hungry and fast
zombies. Pretty satisfying thrill ride, although like any other zombie
flick, this film does suffer from having a few unlikable characters who
make unlikable decisions.
Resonance: Likely to find a following.
My current score: 3.5/5
--------------------Resonance: Likely to find a following.
My current score: 3.5/5
23: Finding Dory
Same movie as Finding Nemo, but now in a new setting with more to explore. Despite rehashing a few gags and plot points, the film does successfully dig deeper into everyone's favorite Blue Tang without getting too overbearing. Comedy's cute, light, and tasteful. Kids and parents alike oughta dig this colorful adventure.
Resonance: Likely to remain a modest hit.
My current score: 3.5/5
22: Don't Breathe
This is one thriller designed to get under your skin. It's dark and intense, with its simple premise hinging entirely on characters trapped in a house with a man they shouldn't have messed with. In a way, it's like a modernized fable that echoes the classic tale of the labyrinth and Minotaur--the antagonist is just as cruel and menacing as that beast. The film's claustrophobic settings paint the maze very well.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
21: Warcraft
Maybe ten years too late for anybody to really care, but I expected much worse, especially after so many bad fantasy movies over the past several years. Warcraft is true to the source, so full of rich lore and style that matches the original RTS games aptly. Many viewers found the movie confusing in its constant name-dropping, but I personally didn't think it was that bad. I enjoyed the flow of the story and characters, and it all built up to a pretty cool series of epic-sized battle scenes.
Resonance: Looks like it's pretty well-embraced by fans and casual audiences alike, despite what critics think. It could find a good home in many people's collections.
My current score: 3.5/5
20: 10 Cloverfield Lane
I hated Cloverfield. Now eight years later, this stand-alone spin-off provides something new, and it's everything the first film wasn't: well-filmed and full of characters worth caring about. It's a small-scale thriller with only three players, but the film builds all its tension on the psychological terror and mystery behind the characters. That's probably far more valuable than any huge city-destroying monster, and as a thriller, this film delivers.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
19: Kung Fu Panda 3
A bit of a rehash of the first film, but still a decent continuation. Much more relevant story than the second, and with a big mish-mash of cute new characters. It's always been the fabulous fight scenes and unique Chinese mythology that's appealed to me, and both are delivered phenomenally in this installment, wrapped around a fairly decent character arc. Few silly parts, but still fun.
Resonance: Might not match the notoriety of the last couple of movies, but might still be a hit for families and fans.
My current score: 3.5/5
--------------------
18: Deadpool
Of all the films this year, none may be more exquisite and powerful than this. It's more beautiful than a Terrence Mallick film. More expertly crafted than Hitchcock. Its deconstruction of love in the modern era and moral roles echoes the masters of French New Wave, such as Godard or Truffaut. Ryan Reynolds' performance may be the most inspiring since the days of Laurence Olivier. The script is the stuff of legends, and this is destined to be a great American classic with the same stature as The Godfather.
Nah, just kidding. This is Deadpool! He just doesn't give a s&%t, and neither does this film. So grab a chimichanga and some beer, sit back, and enjoy. You should know what you're getting with this--Deadpool is no hero, but with its brand of hardcore violence and hardcore comedy, the film fits in its niche tight as red spandex.
Resonance: Likely to remain a hit. A sequel is planned.
My current score: 3.5/5
--------------------
17: Lo and Behold: The Reveries of the Connected World
A bit dry and stiff to start, but it becomes more fascinating as it goes on. Some of the arguments I don't necessarily agree with, but the exploration of technology and its effects on humanity are inherently interesting and worth exploring. Some of it is rather sobering and can make a geek like me take a step back and wonder what I'm doing with my life. Overall, I value the film the most for making me look at the Internet with a more critical eye.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
--------------------
16: The Shallows
All I expected out of this was a short and simple survivalist thriller, and that's pretty much what we get. What makes the film work is its focus on the central character, giving just enough of a story arc to give the whole movie a point (it could be just as much about being stuck in life as it is about being stuck on a rock). Despite an extremely hyperbolic finale, it's a suspenseful tale told with decent flair.
Resonance: Doubt it'll be remembered in a year or so, but it may find a few loyal fans.
My current score: 3.5/5
--------------------
15: 13 Hours: The Secret Soldiers of Benghazi
14: Doctor Strange
13: Rogue One: A Star Wars Story
First half of the film didn't necessarily hook me, but when the second half hit, the familiar Star Wars magic washed over me. It features some of the awesomest space and ground battle of the series. The characters shine the most in the heat of combat and become a lovable team of ragtag rebels. There's some seriously potent imagery and battle scenes that really puts the "War" in Star Wars.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
12: Star Trek: Beyond
It's about time the new Enterprise crew blasted off to the final frontier. Star Trek: Beyond offers a pretty swell adventure on the fringes of space, complete with ambitious action scenes, outlandish aliens, imaginative new settings, cute humor, and Beastie Boys music. This is a pretty neat story too, which hits a few interesting character beats. I admired the original story and its sense of adventure.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
11: X-Men: Apocalypse
After resetting the X-Men timeline in Days of Future Past, Apocalypse finally explodes onto the scene. He has always been the one supervillain I wanted to see the most as a climactic X-Men adversary. After all these years, I felt the film delivered. It's huge and epic, but thankfully, it's still a very endearing group of characters, whose interactions drive the story through each thrilling twist. Magneto's tale is especially evocative in this film. Trying to connect this film to the others in the series may be confusing and weird, but taking it on its own merits, I saw plenty to love.
Resonance: Seems like most people hate this film, and I'm still not quite sure why.
My current score: 3.5/5
--------------------
10: Ip Man 3
19: Kung Fu Panda 3
A bit of a rehash of the first film, but still a decent continuation. Much more relevant story than the second, and with a big mish-mash of cute new characters. It's always been the fabulous fight scenes and unique Chinese mythology that's appealed to me, and both are delivered phenomenally in this installment, wrapped around a fairly decent character arc. Few silly parts, but still fun.
Resonance: Might not match the notoriety of the last couple of movies, but might still be a hit for families and fans.
My current score: 3.5/5
--------------------
18: Deadpool
Of all the films this year, none may be more exquisite and powerful than this. It's more beautiful than a Terrence Mallick film. More expertly crafted than Hitchcock. Its deconstruction of love in the modern era and moral roles echoes the masters of French New Wave, such as Godard or Truffaut. Ryan Reynolds' performance may be the most inspiring since the days of Laurence Olivier. The script is the stuff of legends, and this is destined to be a great American classic with the same stature as The Godfather.
Nah, just kidding. This is Deadpool! He just doesn't give a s&%t, and neither does this film. So grab a chimichanga and some beer, sit back, and enjoy. You should know what you're getting with this--Deadpool is no hero, but with its brand of hardcore violence and hardcore comedy, the film fits in its niche tight as red spandex.
Resonance: Likely to remain a hit. A sequel is planned.
My current score: 3.5/5
17: Lo and Behold: The Reveries of the Connected World
A bit dry and stiff to start, but it becomes more fascinating as it goes on. Some of the arguments I don't necessarily agree with, but the exploration of technology and its effects on humanity are inherently interesting and worth exploring. Some of it is rather sobering and can make a geek like me take a step back and wonder what I'm doing with my life. Overall, I value the film the most for making me look at the Internet with a more critical eye.
Resonance: Likely to remain well-regarded.
My current score: 3.5/5
16: The Shallows
All I expected out of this was a short and simple survivalist thriller, and that's pretty much what we get. What makes the film work is its focus on the central character, giving just enough of a story arc to give the whole movie a point (it could be just as much about being stuck in life as it is about being stuck on a rock). Despite an extremely hyperbolic finale, it's a suspenseful tale told with decent flair.
Resonance: Doubt it'll be remembered in a year or so, but it may find a few loyal fans.
My current score: 3.5/5
15: 13 Hours: The Secret Soldiers of Benghazi
Could it be that Michael Bay made a good movie for a change?
There's no denying that the man actually tried this time. The film
sticks very closely to the accounts given by the soldiers of Benghazi.
The film even goes so far as recreating the compound in exact detail.
Politics will have a bearing on whether you find the film
creditable--this film will appeal to the right more than the left. I
personally couldn't shake the feeling that all of Bay's excesses tend
to gloss over the events to present it as a blockbuster experience.
Regardless, the film is perfectly presentable, and it is an
appropriately exhausting war movie experience that sheds some light on
what happened in Benghazi in 2012.
Resonance: Likely to be well-regarded, surprisingly.
My current score: 3.5/5
--------------------Resonance: Likely to be well-regarded, surprisingly.
My current score: 3.5/5
14: Doctor Strange
On
the surface, this bears the same structure, patterns, and tropes as
every other Marvel movie we've been bombarded with since 2008. What
makes Doctor Strange special, however, is that it does show a lot
of insane new stuff that we'd probably never see in any other movie,
past or future. City-bending scenes that puts Inception to shame.
One spectacular fight scene that actually goes backwards in time. Ghost
fighting. A time-loop finale. It is incredibly awesome and imaginative
stuff. The story and script won't break new ground, but the main
character has enough depth to make it all count, and this is quite a
thrilling start for a new franchise that could push future Marvel films
into strange and mind-bending directions.
Resonance: Likely to remain a modest hit.
My current score: 3.5/5
--------------------Resonance: Likely to remain a modest hit.
My current score: 3.5/5
13: Rogue One: A Star Wars Story
First half of the film didn't necessarily hook me, but when the second half hit, the familiar Star Wars magic washed over me. It features some of the awesomest space and ground battle of the series. The characters shine the most in the heat of combat and become a lovable team of ragtag rebels. There's some seriously potent imagery and battle scenes that really puts the "War" in Star Wars.
Resonance: Likely to remain a hit.
My current score: 3.5/5
12: Star Trek: Beyond
It's about time the new Enterprise crew blasted off to the final frontier. Star Trek: Beyond offers a pretty swell adventure on the fringes of space, complete with ambitious action scenes, outlandish aliens, imaginative new settings, cute humor, and Beastie Boys music. This is a pretty neat story too, which hits a few interesting character beats. I admired the original story and its sense of adventure.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
11: X-Men: Apocalypse
After resetting the X-Men timeline in Days of Future Past, Apocalypse finally explodes onto the scene. He has always been the one supervillain I wanted to see the most as a climactic X-Men adversary. After all these years, I felt the film delivered. It's huge and epic, but thankfully, it's still a very endearing group of characters, whose interactions drive the story through each thrilling twist. Magneto's tale is especially evocative in this film. Trying to connect this film to the others in the series may be confusing and weird, but taking it on its own merits, I saw plenty to love.
Resonance: Seems like most people hate this film, and I'm still not quite sure why.
My current score: 3.5/5
10: Ip Man 3
The Grandmaster is back! As is the original cast and crew of the
original two movies, and their expertise align their latest film with
the first two very aptly. The fights are as phenomenal as ever. More
importantly, the personal stakes are highlighted so well, they make
each fight and each moment in between tense and evocative. I came to
this movie for the martial arts, and it didn't disappoint. I stuck with
it for the characters, and I still find myself inspired and touched by
Ip Man's struggles and resolve.
Resonance: Likely to be a hit among genre and franchise fans.
My current score: 4/5
--------------------
9: Nerve
Nerve, ironically, doesn't have that much guts. It's actually a pretty sweet story at its core, thanks to its charming romance and the palpable chemistry between the characters. Because they are genuinely lovable, each thrilling dare scene is suspenseful and each bold plot twist is captivating, even when it starts to seem unlikely. The ending wraps things up a little too neatly, but as much as I loved the characters, I actually like it that way. Above all, the movie shows a prevailing optimism through its finale, which I find refreshing and inspiring.
Resonance: I wonder if it'll find a following.
My current score: 3.5/5
--------------------
8: Batman v Superman: Dawn of Justice
This is it: the first big event of 2016, the epic showdown between two of the biggest superheroes. Why are they fighting? The film spends plenty of time showing the reasons--they are two sides of a coin that can't agree on how to dispense justice and can't abide by each others' methods. The film offers a grandiose vision for its first half, which has the potential to match the beauty and intellect of Watchmen. This film does dig up plenty of fascinating themes regarding each hero's roles and places in society, and the consequences of their actions. Despite a chaotic final act, I still have to give the film credit--the DCU is sizing up to be one gutsy series, and this film provides the necessary bridge to what could become a formidable opponent to the MCU.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
7: Passengers
This original sci-fi picture is many things: a romance, a thriller, a drama. There's love, loathing, wonder, terror. What glues it all together are the characters--it kicks off eliciting sympathy for a lonely man on a ship, then commands sympathy for a second character, and their interactions keep the whole journey compelling. Some folks will argue the ethics of what happens and others may find this too droll. As a sci-fi fan, I found this just as engrossing as most other movies set on a spaceship.
Resonance: Looks like it'll underperform, but most audience members I see seem to love it.
My current score: 4/5
--------------------
6: The Handmaiden (Ah-ga-ssi)
If nothing else, this film deserves all the props for its craftsmanship. Every frame is illustrated with sharp and gorgeous sets, props, locales, costumes. Every shot is composed and cut with firm, confident skill. Performances are fantastic, writing is solid, and the music is nice. Above all, the experience of the film is high-grade material. It is a slow-burning drama with less interest in conflict and tension, but the film is at its best when it dives deep into the characters' most wicked desires. I can't say I found it captivating the whole way through, but the film does repay patient viewers with class.
Resonance: Likely to remain well-regarded.
My current score: 4/5
--------------------
5: Zootopia
Zootopia is one sly bunny. For a movie crammed wall-to-wall with talking animals, it's exceedingly (but tastefully) more mature than most other CGI-animated features. The story is a blend of 48 Hours and a lot of racial issues ripped from today's headlines, thinly veiled by animal archetypes. For adults, there are heavy civic issues and occasional jokes kids might not understand. For all ages, there is color, appealing characters, humor, and strong positive messages that can shed some much-needed light on the world's current troubles.
Resonance: Likely to remain a hit.
My current score: 4/5
--------------------
4: Arrival
Slow to start, but once the characters start exploring the alien craft it becomes fairly gripping and tense, thanks to the layered storytelling, phenomenal performances, and visual punch. The story twists around in interesting ways, turning this into a thought-provoking Möbius loop. Some folks may prefer something with more punch, but there's no denying the quality that went into this visual exploration of humanity's place in time.
Resonance: Likely to remain well-regarded.
My current score: 4/5
--------------------
3: Kubo and the Two Strings
In this year's sea of middling CGI-animated kid flicks, Kubo is a refreshingly different fish of a different flavor. It's expertly-rendered with fantastic puppetry and stop-motion photography. Its initial appeal as an Asian-themed fantasy adventure hinges on some pretty cool scenes involving swift sword fights, origami magic, bizarre creatures, and more. What makes it watchable and endearing are the characters--more than the lush visuals and imagination, I found myself glued to the screen for the interactions, revelations, and characteristics--sometimes funny, sometimes somber, but always heartfelt, just as any good story should be.
On top of that, this film features my favorite movie theme of the year. "While My Guitar Gently Weeps," played on a shamisen, with Regina Spektor's lovely vocals, is exquisite and pitch-perfect--not only an apt fit for the film, but also evocative on its own merits.
Resonance: Likely to remain well-regarded.
My current score: 4/5
--------------------
2: The Wailing (Goksung)
What a freakshow this movie is! It starts off with a strange, disjointed smattering of odd supernatural encounters, but as the mystery evolves into a chain of drastic actions and reactions, it all comes together as a twisty thrill ride that keeps you guessing who's really who and what's going on with what. Like the best of Korean cinema, the film boasts phenomenal photography and style, solid performances, and gorgeous locales. What cements the film as one of my favorites of the year is its nuanced storytelling--immaculate detail went into the characterizations and story twists, with less words and more visual punch. That's the power of cinematic storytelling.
Resonance: Likely to remain well-regarded.
My current score: 4/5
--------------------
1: The Neon Demon
The latest from Nicholas Winding Refn is another glacial and confounding piece of art. It is a fable composed with nuanced performances and bizarre, expressionistic imagery. The film slowly builds up to a real whopper of a finale. By the end, you'll find that this isn't a standard drama, it's a horror show with its own rules. Through the horrors the film shows, we are shown a grotesque and abstract allegory to the world of fashion and the way it chews up and regurgitates beauty. And it's all shown (not told) though a mesmerizing tapestry stitched in neon colors and expressions--thanks to the power of pure cinematic expression, I could never look away from The Neon Demon.
Resonance: Likely to remain well-regarded by many, but could be loathed by some.
My current score: 5/5
--------------------
Average score for 2016 films: 3.10/5
Favorite film: The Neon Demon
Least favorite film: Terminus
Favorite blockbuster: Batman V Superman: Dawn of Justice
Favorite arthouse film: The Neon Demon
Favorite science fiction film: Arrival
Favorite fantasy/epic: Warcraft
Favorite drama film: The Neon Demon
Favorite action film: Deadpool
Favorite superhero film: Batman V Superman: Dawn of Justice
Favorite comedy film: Deadpool
Favorite horror film: The Wailing
Favorite romance film: Passengers
Favorite documentary: Lo and Behold: Reveries of the Connected World
Favorite animated/family film: Kubo and the Two Strings
Favorite foreign film: The Wailing
Biggest guilty pleasure: Batman vs Superman: Dawn of Justice
Most disappointing film: Zoolander 2
Biggest box-office success: Captain America: Civil War (gross of $1,153,304,495)
Biggest box-office flop: The BFG (estimated loss over $100,000,000)
Favorite male performance: Donnie Yen in Ip Man 3
Favorite female performance: Emma Roberts in Nerve
Favorite line: TBD
Favorite direction: Nicholas Winding Refn directing The Neon Demon
Favorite action scenes: Rogue One: A Star Wars Story
Favorite special effects: Rogue One: A Star Wars Story
Favorite film score: Cliff Martinez's score for The Neon Demon
Favorite theme song: Regina Spektor's "While My Guitar Gently Weeps" from Kubo and the Two Strings
Favorite musical sequence: None I'd call a favorite
--------------------
Assassin's Creed: Been a fan of the game series since 2009 or so--they are addicting games with layered stories and incredibly well-researched historic environments. Unfortunately, video game adaptations haven't had good track records, and the reception for the Assassin's Creed film hasn't been as warm as I'd hope for. Sooner or later, I gotsta see it all the same.
Desierto: Not sure what kind of political message it will have, but dang, it sure does look intense.
Fantastic Beasts and Where to Find Them: Never was a die-hard Harry Potter fan, so this spin-off film looks like something I could take or leave.
La-La Land: Coming from the director of Whiplash, I have no doubt this movie will be something to behold.
Moana: Looks cute.
Moonlight: Because I keep hearing it's good or something.
--------------------
Alien: Covenant: I liked Prometheus and always wanted to see its follow-up. Ridley Scott will undoubtedly deliver a quality film with style and evocative images. Hopefully, it'll also bridge some gaps between movies and still be a heck of a story.
Blade Runner 2049: This long-awaited sequel has been in the works for a while, but finally came together thanks to talented individuals in front and behind the cameras. What I see so far looks slick and on-par with the original, and chances are this could be a worthy follow-up.
Ghost in the Shell: I ought to be skeptical--it looks like so much of this film merely copies select scenes and shots from the '95 anime, with no indication that the story will be genuinely good. Rupert Sanders didn't exactly strike gold on his last cinema project either. But I am still psyched for this one the most, because it does look exceedingly stylish and awesome, with spectacular action scenes. Scarlett Johansson looks like a perfect fit for the Major. Anime adaptations haven't fared well in Hollywood, but I have a good feeling I'll love this movie, maybe even to the point of calling it a new favorite.
Justice League: It's unfortunate that the DCU took the path it did between BvS and Suicide Squad--it's proving to be a choppy and weird mess, as they struggle to catch up and rival with Marvel. However, I have found the films interesting in parts and enjoyable all the same. I have faith Zack Snyder will deliver a film with serious visual punch.
John Wick 2: First movie's great and rapidly becoming a new all-time favorite. I welcome the follow-up.
Kong: Skull Island: Not sure how much levity there will be in this--it could be a bit too much for a film that looks so intense. Seeing King Kong, bigger than ever, battling modern weapons should be incredible all the same.
Logan: How many times will Wolverine have to lay down his life for a female? For a third time now, he's going to do it again for a little girl in some worn-down future. If this is Hugh Jackman's last performance as the Wolverine, this could be a formidable performance so long as the personal stakes remain as captivating as they appear. This could be the Wolverine story worth telling the most. Or it could be more of the same.
The Mummy: Won't be expecting this to best the 1999 adventure film, but I was never a die-hard fan off the 30s version with Boris Karloff. This new version looks like it'll strike the middle ground--serious terror mixed with blockbuster action. It might be good.
Power Rangers: This ought to be one of those movies ideas that causes a knee-jerk "why did they do that?!" reaction. Then I saw the trailer and was genuinely surprised that it didn't look terrible. As someone who grew up with the original show airing on TV (and me glued to it for the first couple of seasons), I will likely give this a shot.
Resident Evil: The Final Chapter: This series has gone all over the map, so closure is desperately needed, especially after the last film's cliffhanger. Watching Milla Jovovich kick zombie ass is always a pleasure, and this film looks like it could be the most intense fight yet.
Star Wars Episode VIII: What happens next? Oh dear God what's going to happen next?! Episode VII gave us wonderful new characters with promises of fantastic new adventures. So much remains open and unexplained, we're all waiting with bated breath to see where it's all going next. Surely, there must be some huge plot twist on the same level as The Empire Strikes Back that will blow audiences' minds. We're all waiting with bated breath for that next dramatic climax--even if the film falls short somehow, it'll be a heck of a show. But I have faith the filmmakers will spin a quality story worth telling.
Underworld: Blood Wars: A fifth Underworld movie has been long overdue now. I enjoyed most of these movies, so naturally I welcome more installments in the epic vampire-lycan war.
Wonder Woman: I think Gal Gadot captured everybody's hearts in this role, and everybody's going to want to see a proper stand-alone film of her own. I heard somewhere from a supposed insider that this film will be a mess, unfortunately. But, I am willing to give it a shot all the same. Trailer looked decent.
xXx: Return of Xander Cage: Well, it's about time! xXx thrilled me back in 2002 and remained a guilty pleasure of mine for years. I couldn't be more pleased to see studios taking advantage of what could be a cool new spy movie franchise.
Resonance: Likely to be a hit among genre and franchise fans.
My current score: 4/5
--------------------
9: Nerve
Nerve, ironically, doesn't have that much guts. It's actually a pretty sweet story at its core, thanks to its charming romance and the palpable chemistry between the characters. Because they are genuinely lovable, each thrilling dare scene is suspenseful and each bold plot twist is captivating, even when it starts to seem unlikely. The ending wraps things up a little too neatly, but as much as I loved the characters, I actually like it that way. Above all, the movie shows a prevailing optimism through its finale, which I find refreshing and inspiring.
Resonance: I wonder if it'll find a following.
My current score: 3.5/5
8: Batman v Superman: Dawn of Justice
This is it: the first big event of 2016, the epic showdown between two of the biggest superheroes. Why are they fighting? The film spends plenty of time showing the reasons--they are two sides of a coin that can't agree on how to dispense justice and can't abide by each others' methods. The film offers a grandiose vision for its first half, which has the potential to match the beauty and intellect of Watchmen. This film does dig up plenty of fascinating themes regarding each hero's roles and places in society, and the consequences of their actions. Despite a chaotic final act, I still have to give the film credit--the DCU is sizing up to be one gutsy series, and this film provides the necessary bridge to what could become a formidable opponent to the MCU.
Resonance: Likely to remain a hit.
My current score: 3.5/5
--------------------
7: Passengers
This original sci-fi picture is many things: a romance, a thriller, a drama. There's love, loathing, wonder, terror. What glues it all together are the characters--it kicks off eliciting sympathy for a lonely man on a ship, then commands sympathy for a second character, and their interactions keep the whole journey compelling. Some folks will argue the ethics of what happens and others may find this too droll. As a sci-fi fan, I found this just as engrossing as most other movies set on a spaceship.
Resonance: Looks like it'll underperform, but most audience members I see seem to love it.
My current score: 4/5
6: The Handmaiden (Ah-ga-ssi)
If nothing else, this film deserves all the props for its craftsmanship. Every frame is illustrated with sharp and gorgeous sets, props, locales, costumes. Every shot is composed and cut with firm, confident skill. Performances are fantastic, writing is solid, and the music is nice. Above all, the experience of the film is high-grade material. It is a slow-burning drama with less interest in conflict and tension, but the film is at its best when it dives deep into the characters' most wicked desires. I can't say I found it captivating the whole way through, but the film does repay patient viewers with class.
Resonance: Likely to remain well-regarded.
My current score: 4/5
5: Zootopia
Zootopia is one sly bunny. For a movie crammed wall-to-wall with talking animals, it's exceedingly (but tastefully) more mature than most other CGI-animated features. The story is a blend of 48 Hours and a lot of racial issues ripped from today's headlines, thinly veiled by animal archetypes. For adults, there are heavy civic issues and occasional jokes kids might not understand. For all ages, there is color, appealing characters, humor, and strong positive messages that can shed some much-needed light on the world's current troubles.
Resonance: Likely to remain a hit.
My current score: 4/5
4: Arrival
Slow to start, but once the characters start exploring the alien craft it becomes fairly gripping and tense, thanks to the layered storytelling, phenomenal performances, and visual punch. The story twists around in interesting ways, turning this into a thought-provoking Möbius loop. Some folks may prefer something with more punch, but there's no denying the quality that went into this visual exploration of humanity's place in time.
Resonance: Likely to remain well-regarded.
My current score: 4/5
3: Kubo and the Two Strings
In this year's sea of middling CGI-animated kid flicks, Kubo is a refreshingly different fish of a different flavor. It's expertly-rendered with fantastic puppetry and stop-motion photography. Its initial appeal as an Asian-themed fantasy adventure hinges on some pretty cool scenes involving swift sword fights, origami magic, bizarre creatures, and more. What makes it watchable and endearing are the characters--more than the lush visuals and imagination, I found myself glued to the screen for the interactions, revelations, and characteristics--sometimes funny, sometimes somber, but always heartfelt, just as any good story should be.
On top of that, this film features my favorite movie theme of the year. "While My Guitar Gently Weeps," played on a shamisen, with Regina Spektor's lovely vocals, is exquisite and pitch-perfect--not only an apt fit for the film, but also evocative on its own merits.
Resonance: Likely to remain well-regarded.
My current score: 4/5
2: The Wailing (Goksung)
What a freakshow this movie is! It starts off with a strange, disjointed smattering of odd supernatural encounters, but as the mystery evolves into a chain of drastic actions and reactions, it all comes together as a twisty thrill ride that keeps you guessing who's really who and what's going on with what. Like the best of Korean cinema, the film boasts phenomenal photography and style, solid performances, and gorgeous locales. What cements the film as one of my favorites of the year is its nuanced storytelling--immaculate detail went into the characterizations and story twists, with less words and more visual punch. That's the power of cinematic storytelling.
Resonance: Likely to remain well-regarded.
My current score: 4/5
1: The Neon Demon
The latest from Nicholas Winding Refn is another glacial and confounding piece of art. It is a fable composed with nuanced performances and bizarre, expressionistic imagery. The film slowly builds up to a real whopper of a finale. By the end, you'll find that this isn't a standard drama, it's a horror show with its own rules. Through the horrors the film shows, we are shown a grotesque and abstract allegory to the world of fashion and the way it chews up and regurgitates beauty. And it's all shown (not told) though a mesmerizing tapestry stitched in neon colors and expressions--thanks to the power of pure cinematic expression, I could never look away from The Neon Demon.
Resonance: Likely to remain well-regarded by many, but could be loathed by some.
My current score: 5/5
--------------------
Average score for 2016 films: 3.10/5
Favorite film: The Neon Demon
Least favorite film: Terminus
Favorite blockbuster: Batman V Superman: Dawn of Justice
Favorite arthouse film: The Neon Demon
Favorite science fiction film: Arrival
Favorite fantasy/epic: Warcraft
Favorite drama film: The Neon Demon
Favorite action film: Deadpool
Favorite superhero film: Batman V Superman: Dawn of Justice
Favorite comedy film: Deadpool
Favorite horror film: The Wailing
Favorite romance film: Passengers
Favorite documentary: Lo and Behold: Reveries of the Connected World
Favorite animated/family film: Kubo and the Two Strings
Favorite foreign film: The Wailing
Biggest guilty pleasure: Batman vs Superman: Dawn of Justice
Most disappointing film: Zoolander 2
Biggest box-office success: Captain America: Civil War (gross of $1,153,304,495)
Biggest box-office flop: The BFG (estimated loss over $100,000,000)
Favorite male performance: Donnie Yen in Ip Man 3
Favorite female performance: Emma Roberts in Nerve
Favorite line: TBD
Favorite direction: Nicholas Winding Refn directing The Neon Demon
Favorite action scenes: Rogue One: A Star Wars Story
Favorite special effects: Rogue One: A Star Wars Story
Favorite film score: Cliff Martinez's score for The Neon Demon
Favorite theme song: Regina Spektor's "While My Guitar Gently Weeps" from Kubo and the Two Strings
Favorite musical sequence: None I'd call a favorite
--------------------
2016 MOVIES AL MUST CATCH UP ON:
Allegiant: Haven't read the book, but I read the other two of the series and saw the previous movies. It's an interesting series. I always heard this third part is weak, but I'm intrigued to see where it's all going. Assassin's Creed: Been a fan of the game series since 2009 or so--they are addicting games with layered stories and incredibly well-researched historic environments. Unfortunately, video game adaptations haven't had good track records, and the reception for the Assassin's Creed film hasn't been as warm as I'd hope for. Sooner or later, I gotsta see it all the same.
Desierto: Not sure what kind of political message it will have, but dang, it sure does look intense.
Fantastic Beasts and Where to Find Them: Never was a die-hard Harry Potter fan, so this spin-off film looks like something I could take or leave.
La-La Land: Coming from the director of Whiplash, I have no doubt this movie will be something to behold.
Moana: Looks cute.
Moonlight: Because I keep hearing it's good or something.
--------------------
2017 MOVIES AL IS LOOKING FORWARD TO THE MOST:
This next year looks more promising to me than 2016. There are still a crap-ton of remakes, sequels, and everything, but I welcome a lot of them, since many will be from franchises that have always thrilled me and produced quality work. Some that sound like bad ideas don't look too terrible at this point. It could be a pretty exciting year, and here's why:Alien: Covenant: I liked Prometheus and always wanted to see its follow-up. Ridley Scott will undoubtedly deliver a quality film with style and evocative images. Hopefully, it'll also bridge some gaps between movies and still be a heck of a story.
Blade Runner 2049: This long-awaited sequel has been in the works for a while, but finally came together thanks to talented individuals in front and behind the cameras. What I see so far looks slick and on-par with the original, and chances are this could be a worthy follow-up.
Ghost in the Shell: I ought to be skeptical--it looks like so much of this film merely copies select scenes and shots from the '95 anime, with no indication that the story will be genuinely good. Rupert Sanders didn't exactly strike gold on his last cinema project either. But I am still psyched for this one the most, because it does look exceedingly stylish and awesome, with spectacular action scenes. Scarlett Johansson looks like a perfect fit for the Major. Anime adaptations haven't fared well in Hollywood, but I have a good feeling I'll love this movie, maybe even to the point of calling it a new favorite.
Justice League: It's unfortunate that the DCU took the path it did between BvS and Suicide Squad--it's proving to be a choppy and weird mess, as they struggle to catch up and rival with Marvel. However, I have found the films interesting in parts and enjoyable all the same. I have faith Zack Snyder will deliver a film with serious visual punch.
John Wick 2: First movie's great and rapidly becoming a new all-time favorite. I welcome the follow-up.
Kong: Skull Island: Not sure how much levity there will be in this--it could be a bit too much for a film that looks so intense. Seeing King Kong, bigger than ever, battling modern weapons should be incredible all the same.
Logan: How many times will Wolverine have to lay down his life for a female? For a third time now, he's going to do it again for a little girl in some worn-down future. If this is Hugh Jackman's last performance as the Wolverine, this could be a formidable performance so long as the personal stakes remain as captivating as they appear. This could be the Wolverine story worth telling the most. Or it could be more of the same.
The Mummy: Won't be expecting this to best the 1999 adventure film, but I was never a die-hard fan off the 30s version with Boris Karloff. This new version looks like it'll strike the middle ground--serious terror mixed with blockbuster action. It might be good.
Power Rangers: This ought to be one of those movies ideas that causes a knee-jerk "why did they do that?!" reaction. Then I saw the trailer and was genuinely surprised that it didn't look terrible. As someone who grew up with the original show airing on TV (and me glued to it for the first couple of seasons), I will likely give this a shot.
Resident Evil: The Final Chapter: This series has gone all over the map, so closure is desperately needed, especially after the last film's cliffhanger. Watching Milla Jovovich kick zombie ass is always a pleasure, and this film looks like it could be the most intense fight yet.
Star Wars Episode VIII: What happens next? Oh dear God what's going to happen next?! Episode VII gave us wonderful new characters with promises of fantastic new adventures. So much remains open and unexplained, we're all waiting with bated breath to see where it's all going next. Surely, there must be some huge plot twist on the same level as The Empire Strikes Back that will blow audiences' minds. We're all waiting with bated breath for that next dramatic climax--even if the film falls short somehow, it'll be a heck of a show. But I have faith the filmmakers will spin a quality story worth telling.
Underworld: Blood Wars: A fifth Underworld movie has been long overdue now. I enjoyed most of these movies, so naturally I welcome more installments in the epic vampire-lycan war.
Wonder Woman: I think Gal Gadot captured everybody's hearts in this role, and everybody's going to want to see a proper stand-alone film of her own. I heard somewhere from a supposed insider that this film will be a mess, unfortunately. But, I am willing to give it a shot all the same. Trailer looked decent.
xXx: Return of Xander Cage: Well, it's about time! xXx thrilled me back in 2002 and remained a guilty pleasure of mine for years. I couldn't be more pleased to see studios taking advantage of what could be a cool new spy movie franchise.
