December 11, 2014

Al's Top 100 Favorite Drama Films Part 3

Part 1
Part 2

60:  To Kill a Mockingbird

Drama Of: Scout, her family, her community.

The Film: A classic film adaptation of the classic novel. Through the viewpoints of kids and adults, the film provides a rounded and invoking view of racism and prejudice within an American community (if not society overall). The film gets heavy during certain scenes, but other parts are quite charming and endearing, and it embodies the best and worst of us overall.

My current score: 4/5
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59:  The Wave (Die Welle)

Drama Of: Rainer Wenger, teacher...or dictator?

The Film: A straightforward film with a stark and thought-invoking premise: a school teacher turns his class into a mini-dictatorship that spirals out of control. It's not as crazy as it seems, not only because the film mirrors Nazi Germany, but also because it's based on a real-life case. The film illustrates just how scarily easy it can be for people to slip into conformity under a fascist rule, and the results are quite hard-hitting.

My current score: 4/5
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58:  Anna and the King of Siam (1946)

Drama Of: Anna Leonowens, putting up with King Mongkut.

The Film: Certainly not as cheery, sugar-coated, or romantic as the later musical, this version of the story simply focuses on telling the story, and it is an interesting tale of cultural clashes, with themes of civility and ignorance. Rex Harrison steals the show as the King, but Anna's struggles are enough to maintain interest, and the film overall looks great.

My current score: 4/5
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57:  Carlito's Way

Drama Of: Carlito Brigante, an ex-gangster trying to live clean.

The Film: Pretty much the opposite of Scarface, which showed a man's descent into corruption and madness; here, Al Pacino plays a man trying to rise out of the life of crime, but is inevitably dragged back down by others around him. What makes his conflict so engaging is not only the sporadic violence and gunfighting, but the romance and the overall pathos, which flips the classic archetypes of gangsters on its head and makes Carlito one guy we can root for to the end.

My current score: 4.5/5
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56:  The Wrestler (2008)

Drama Of: Randy Robinson, wrestler.

The Film: It's a rough-looking film that shows no restraint or compromise in exploring the last days of this wrestler. The core struggle he has is whether he should give up fighting and live out his days like a normal person, or risk death to do what he loves doing. Thanks to a heartfelt performance by Mickey Rourke, the character's experiences resonate well and make his story one worth telling.

My current score: 4.5/5
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55:  Bringing Out the Dead

Drama Of: Frank Pierce, paramedic

The Film: I'd say this is one of Martin Scorsese's most underrated films; it's a pretty trippy experience full of brooding emotions, with manic bursts of style and comedy. It all tracks the ups and downs of a paramedic's night shift, and his ongoing guilt over the lives he failed to save. The film is a pretty unique experience as it is, but the characters' expressions make it rather compelling. This might also be one of Nicholas Cage's best performances.

My current score: 4/5
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54:  Cool Hand Luke

Drama Of: Luke Jackson, the coolest man in the chain gang.

The Film: Despite all his insolence, it's hard not to root for Luke, for he is a confident dude who likes to stick it to the man. His struggle against his stern, potentially abusive overseers is a pretty fun thing to watch in itself, but the film treads into some interesting allegories as Luke continuously defines himself as the ultimate rebel. The film and performances are all quite well-done too.

My current score: 4.5/5
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53:   Cast Away

Drama Of: Chuck Nolan, stranded on a desert island.

The Film: It starts off a little slow, but once Chuck's plane crashes, his struggle becomes gripping, intense, and profound. The film lingers on the simple problems of finding food, shelter, clothes, tools, and the means to leave the island. It lasts for years, transforming Chuck in profound ways before he confronts the sea, and possible other forces at work. The film looses some steam during its denouement, but it is all a worthwhile storytelling experience.

My current score: 4/5
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52:  Upstream Color

Drama Of: Kris and Jeff, victims of a brainwashing thief.

The Film: This is a rather moody, surreal experience that never truly gives a straight answer, but it is perhaps most intriguing because it remains so enigmatic. It is an expressionist film that relays its story more through interesting images than through actual actions. Regardless of whether you can follow it or not, the struggle of the characters are what makes it watchable. They go through a pretty freaky experience, and spend the rest of the film coping with it. Everything else is left up to the viewer's imagination and interpretations.

My current score: 5/5
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51:  Magnolia

Drama Of: A bunch of characters whose lives are affected by some pretty random events.

The Film: It's a very broad scope that encompasses a number of seemingly-random people, all with their own share of intriguing drama. With the central theme of a greater force influencing us all with random events, each story is tied up and glued together to form a compelling mosaic.

My current score: 4/5
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50:  The Blind Side

Drama Of: Michael Oher, the boy who rose out of the gutter and became one a successful NFL player.

The Film: A pretty straightforward dramatization of the real-life story, but it is nonetheless inspiring. The film digs into just enough detail to make the story resonate, but is never excessive or distasteful. Performances are great all around, and help make the characters sympathetic through their rough journey.

My current score: 4/5
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49:  Forrest Gump

Drama Of: Forrest Gump.

The Film: A modern-day tall tale that spans across all the generations of the latter-20th century. The audience follows in the worn shoes of the simple-minded, happy-go-lucky Forrest Gump, who just kinda goes from one crazy thing to another like a feather caught in the wind. The film has its share of themes, but it's best watched for its charming characters and the outlandish events they go through.

My current score: 4/5
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48:  The Perfect Storm

Drama Of: The crew of the Andrea Gail, caught in the "Perfect Storm" of 1991.

The Film: This film can be excessive with its special effects and the overbearing sentimentality, but it is still a harrowing experience and quite the tear-jerker. It takes a while for the storm to hit, but the portrayal of swordfishing is intense as it is, and the drama continues all the way through the dark and terrifying onslaught of waves.

My current score: 4/5
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47:  Mesrine Part I:  Killer Instinct and Part II:  Public Enemy Number One

Drama Of: Jacques Mesrine, gangster.

The Films: This massive two-part saga runs through the life and career of this notorious criminal: a man who robs, kills, runs, and never gives up, even when hunted by authorities and after spending time in the most inhumane prison imaginable. The character is as tough and raw as every other gangster on this list, and Vincent Cassel brings him to life perfectly.

My current score: 4/5
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46:  American Hustle

Drama Of: Con artists who help the FBI take a bite out of crime.

The Film: Some would call this overrated and a "con" in itself. Maybe that's the point. Even then, the film is phenomenally stylish and bursting with quality performances. Each character is brought to life vividly and memorably, and they all drive a complex and dynamic plot. In spite of all that, I find it phenomenally entertaining.

My current score: 4/5
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45:  Powder

Drama Of: Jeremy "Powder" Reed, an albino with an extraordinary mind and extraordinary powers.

The Film: Despite its mixed reception, I remember this was quite a powerful and moving film in its day, and I think it's a shame that it seems to have fallen into obscurity. It has some pretty brutal bullying scenes, but it is also a strong character study full of emotional and spiritual power. Strong themes of prejudice emerge more and more as Jeremy endures, and ultimately rises above, the brunt of human fear.

My current score: 4/5
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44:  Trainspotting

Drama Of: Mark Renton, heroin addict.

The Film: The film has some pretty wacky parts, some funny parts, and then there are some seriously messed-up and disgusting parts. The cast is groovy, the soundtrack is really hopping, and the settings are effective. Overall, it's a funny-but-sad account of all the ups and downs of heroin addiction.

My current score: 4/5
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43:  Doubt

Drama Of: Father Brendan Flynn and Sister Aloysius Beauvier...who's right, who's wrong?

The Film: This picture will keep you guessing the whole time; you could watch it one moment and lean to one side of the given argument, but then you could watch it again and think the other way. The film doesn't give you a resolution, just a conundrum which really challenges the faith of the characters, and perhaps the faith of the viewers. Decent performances from the whole cast gives both sides of the story creditable and invoking voices.

My current score: 4/5
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42:  New Jack City

Drama Of:  Nino Brown, crime lord, and Scotty Appleton, the detective trying to bring him down.

The Film: Very much on-par with the best gangster films, not only with the brutality of the criminal world, but also with its sprawling narrative that tracks the good guys, the bad guys, and their overall struggle on both sides of the war on drugs. The film in particular emphasizes the destrucrive nature of crack, and the characters who fight to spread it, stop it, or succumb to it.

My current score: 4.5/5
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41:  Of Mice and Men (1939)

Drama Of: Lennie, a man with a plan, and George, the man who wants nothing more than to pet mice and bunny rabbits.

The Film: This early adaptation of John Steinbeck's awesome novel is pretty much spot-on. Maybe not as disquieting as the 90s version, but this film is well-made with solid photography and solid performances. The story is inherently deep and compelling turn of events, with a lot of parts that are sweet and a hard-hitting finale that's pretty bitter. The storytelling makes this essential viewing, in my opinion.

My current score: 4.5/5
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To be continued...

December 10, 2014

Al's Top 100 Favorite Drama Films Part 2

Part 1

80:  East of Eden

Drama Of: Cal Trask.

The Film: A solid film and a solid adaptation of John Steinbeck's novel, complete with a captivating performance by James Dean. It's the story that makes it good though, and it is a deep, fascinating tale that mirrors the original legend of Cain and Abel. There's nothing more dramatic than themes of original sin permeating through the clash of characters.

My current score: 4/5
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79:  The Social Network

Drama Of: Mark Zuckerberg and Eduardo Saverin, founders of Facebook.

The Film: In 2010, nobody could have thought that a movie about Facebook would amount to much, but David Fincher took a simple subject and made it interesting. Part of it is the style - the film looks good, has decent performances, and a swell soundtrack. Above all, the film's emphasis on conflict between the characters keeps the drama rolling hard and fast. In the end, it's an interesting character study that makes you question Zuckerberg's intentions.

My current score: 4/5
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78:  12 Angry Men

Drama Of: 12 jurors.

The Film: The story by nature is gripping, as one juror goes up against eleven to raise a shadow of a doubt and invoke a passionate debate. The clash of personalities reveals this simple courtroom drama to be a microcosm, with all the jurors representing the different perspectives and personalities that stands behind judgement. With quality filming and performances, the movie has cemented itself as a classic for good reason.

My current score: 4/5
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77:  Shame (2011)

Drama Of: Brandon Sullivan, the man obsessed with sex.

The Film: This is a film that doesn't hold back. By that, I don't necessarily mean the graphic sex (of which there's some, but it's not overbearing, especially when compared to Nymphomaniac). It's the raw emotions that are blasted at full strength; Michael Fassbender's performance exudes passion and desperation as his obsessions take him through so many ups and downs, before inevitably ruining his life and everybody else around him. It is a quality film, but it is also pretty heavy-duty.

My current score: 4/5
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76:  Sling Blade

Drama Of: Karl Childers.

The Film: Billy Bob Thornton worked in front of and behind the camera to tell this bittersweet tale of a mentally-stunted man struggling to fit into society. The character really takes the spotlight and becomes somebody we can care about, before the film takes some rather gnarly twists. Despite the bleak outcome, it is a good story told in a straightforward fashion.

My current score:  4/5
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75:  The Outsiders

Drama Of: Greasers.

The Film: A solid, fairly gripping, and endearing portrayal of gang violence in the 60s. The film has its share of violence, but it's inherently touching to watch these kids come together through the thick and thin of it to support and protect each other. Some make it out unscathed, some don't, but their experiences overall make for some decent drama.

This film has been re-released as a "Complete Novel" edition, which boasts 22 minutes of new scenes, plus a redone soundtrack. Purists may not care for this version, but I didn't think it was bad at all.

My current score: 4/5
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74:  Grave of the Fireflies (Hotaru no Haka)

Drama Of: Seita and Setsuko, orphaned children in a time of war.

The Film: Few films are as tragic as this. For much of the film, you grow to love the characters in all their childhood innocence. But when war rears its ugly head and forces them to try and survive on their own, it becomes a depressing tear-jerker. It's easy to label this as an anti-war film, but it also also carries a stark moral concerning responsibility, community, and sympathy.

My current score: 4/5
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73:  The Godfather Part II

Drama Of: Michael Corleone, picking up where his father left off.

The Film: Easily one of the best sequels ever made; this film is very much on-par with its predecessor, if not better. The continued struggle of Michael Corleone is loaded with intense struggle and conflict. The occasional flashback scenes are pretty awesome. It all adds up to a rather bitter climax, which underscores the rise of power and the fall of morality within the criminal underworld.

My current score: 4/5
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72:  The Curious Case of Benjamin Button

Drama Of: Benjamin Button, the man who was born old and died young.

The Film: I never truly loved this film until revisiting it, but I've come to see that the film is a beautiful piece of work. The imagery is great throughout, and the performances are good. The story doesn't have much conflict to it, but it is a bizarre yarn, and the film digs up some touching themes regarding life and the passage of time.

My current score: 4/5
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71:  The Untouchables

Drama Of: Eliot Ness, who teams up with Jimmy Malone to bring down Al Capone.

The Film: A classy production with quality performances and some great setpieces. The hunt for Al Capone has never looked so good, and has never been so intense. The characters are likable and determined, and their struggles against crime and a corrupt system are constantly engaging because of it.

My current score: 4.5/5
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70:  Tree of Life

Drama Of: The O'Brian family throughout the years...and the cosmos.

The Film: If nothing else, this is one beautiful film with loads of incredible imagery. Why, this film even diverges into the birth and death of the universe. Most of the film's actual drama focuses on a family in rural Texas, and their interactions generally lay out the best and worst of human life in general. It's a very random movie, but it is a compelling stream of consciousness with some invoking metaphysical themes.

My current score: 4/5
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69:  On the Waterfront

Drama Of: Terry Malloy, dockworker.

The Film: One of the great classics, this film sports great-looking locations, great photography, and great performances. The film focuses on the corruption plaguing longshoremen, and it builds up to a rather intense and bloody climax.

My current score: 4/5
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68:  Contact

Drama Of: Dr. Eleanor "Ellie" Ann Arroway, the scientist who makes first contact.

The Film: The film is most impressive for its style and visual effects, which include a fantastic opening scene that takes us across the breadth of the universe. However, the film's drama is what keeps is going hard and strong. It is an inherently intense struggle as Ellie faces pushback at every turn, from people stealing her thunder, fanatics trying to sabotage the mission, political and legal battles, and more. It is satisfying when she finally gets to go where no man has gone before. There are a few sappy parts, but the film overall is quite the solid and invoking journey.

My current score: 4/5
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67:  Hunger (2008)

Drama Of: Bobby Sands, member of the IRA who led a hunger strike in prison.

The Film: This film has a few rough parts, its pacing is pretty slow, and it can be tough to watch the main character waste away like he does (it is especially remarkable how much weight Michael Fassbender lost in this role for those scenes). However, it is an interesting study of non-conformity, and the film paints a surprisingly beautiful picture of a slow and agonizing death.

My current score: 4/5
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66:  The Illusionist (2006)

Drama Of: Eisenheim, man of illusions.

The Film: Coming out at the exact same time as The Prestige, it's hard not to compare the two. While I personally prefer Nolan's film, this one is a pretty decent drama with its own share of unique twists. It's well-made, it has good performances, and it's just good overall.

My current score: 4/5
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65:  The Wild One

Drama Of: Johnny Strabbler, biker dude.

The Film: Things get interesting fast when these characters roll into town and start whooping it up, to the chagrin of the locals. Marlon Brando is as cool as ever as the main character, and the film has a heck of a style that makes it stand out even to this day.

My current score: 4/5
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64:  Rebel Without a Cause

Drama Of: Jim Stark, a kid just trying to find his way.

The Film: This is the film that really makes James Dean a household name. His performance as Jim is an earnest and compelling one, which allows the audience to sympathize with him as he continuously defies all figures of authority (parents, teachers, and even the police) and has to always prove something to the punks around him. No real reason is given to Jim's outbursts, other than he's just another teenager trying to get along. That in itself is a fundamental and compelling drama, and it's handled well in this film.

My current score: 4/5
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63:  Raging Bull

Drama Of: Jake LaMotta, boxer.

The Film: While the story of Rocky is a continuously inspiring one, the story of Jake LaMotta is a pretty bizarre experience that feels more like a descent of morality. Jake's story is not all about boxing, as he consorts with mob bosses and dabbles in the nightlife often, in a manner not too dissimilar to other Scorsese pictures. It is a well-made film with some interesting ups and downs, and it is a worthwhile experience overall.

My current score: 4/5
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62:  The Place Beyond the Pines

Drama Of: A bank robber, a cop, and their children.

The Film: In three distinct acts, this film takes its time to chronicle two generations of cops and robbers. Ryan Gosling provides an invoking, heartfelt portrayal of a man just trying to provide for his family, no matter what. Bradley Cooper plays the cop trying to do his job, confronting not just the crime, but also the corruption. The offspring of these two characters come together in the last act to twist around the moral roles, to the point where it's hard to tell where the role of a cop or robber really comes from. Even though the last act loses some steam, the storytelling overall is apt, intriguing, and the film looks mostly splendid.

My current score: 4.5/5
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61:  Bonnie and Clyde (1967)

Drama Of: Bonnie and Clyde. They rob banks.

The Film: It's a pretty rough and bloody affair; Bonnie and Clyde are a violent and mischievous pair who gleefully defy all law and order to become legendary outlaws. With a solid filming style and solid performances, the film stands out as a tough and entertaining account of this infamous duo.

My current score: 4/5
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To be continued...

Al's Top 100 Favorite Drama Films Part 1

Drama is probably the most fundamental genre of any storytelling medium. In film, it's got to be the biggest, broadest, longest-running, and most prestigious genre of the lot. Most classics and big award-winners will be dramas by nature.

For me personally, it's not just a matter of quality or acclaim; a drama has to captivate me, and some will captivate me more than others. A lot of my favorite dramas will be intense and hard-hitting, and some of my favorites are some of the most depressing stories ever made. Some of these films have a real flair for style, and some of them get so far-out that they venture into realms above and beyond reality. Many happen to be crime dramas and gangster films.

What really defines them, however, are the characters. Unlike most other films, where external forces and conflict drives a plot, drama specifically focuses on characters, and they are the ones who drive the conflict and push a plot forward. Thus, a drama could embody itself in any number of subjects (sports, prison, crime), settings (historic, modern, futuristic), and genres (film noir, romance, horror, sci-fi, etc).

Within these constraints, I've sorted out my top 100 favorite drama films: all compelling narratives about people and their struggles through all manner of adversity. Sometimes they fail and other times they are triumphant, but in all cases, these films underscore the strong pathological truths and characteristics of the human spirit, and all these films speak to us in their own unique ways. Everybody's taste in dramas tend to vary, but I hope you'll see value in my list and take a chance on some of these invoking stories.
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100:  Breaking the Waves

Drama Of: Bess McNeill, a woman who will do anything for her man...

The Film: It's not an easy picture to watch. Part of it is because of the style, which is purposefully rough around the edges. But it's the story that makes it so whack; the idea of a husband sending his wife off to make love to other men flies in the face of what we normally think of as good, healthy, holy matrimony. With the setting of an extremist Calvinist community, strong themes of morality, faith, and prejudice emerge, and make the drama all the more compelling.

My current score: 4/5
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99:  Crash (2004)

Drama Of: Several characters in LA whose lives crash into each other.

The Film: I've seen a lot of bad reviews over this one, partly accusing the film of being overrated (probably due to all the Oscar hype), and for the nature of the story, which is admittedly contrived and heavy-handed. However, I do believe that it is a gorgeously-made film with a strong bittersweet tone, which digs up some intriguing racial and social themes worth exploring. I can't say that all the characters and events are all that likable, but the way they collide makes for some intriguing entertainment.

My current score: 4/5
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98:  The Graduate

Drama Of: Benjamin Braddock, college graduate being seduced by Mrs. Robinson.

The Film: A classy film with classy music and classy performances. It is an interesting story that questions whether it's better to give into short-lived temptation or hold out for a longer-lasting happiness. The characters go far to ensure the latter, even at the expense of antagonizing others. The turnout is ultimately bold and satisfying.

My current score: 4/5
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97:  Great Expectations (1946)

Drama Of: Pip.

The Film: I can't say I found this story all that enjoyable while studying it in school, but on film, it looks great with quality photography and quality acting. The story is pretty easy to digest, and the whole thing exudes a classy Charles Dickens level of class.

My current score: 4/5
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96:  A Streetcar Named Desire

Drama Of: Blanche DuBois.

The Film: A straightforward adaptation of the famous play, but it's one that boasts decent performances, and a style that exudes nothing but heat and seediness from the settings. The story drags a little, but it has some explosive emotions that underscore key themes of desire, civility, and truth.

My current score: 3.5/5
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95:  Judgment at Nuremberg

Drama Of: All the people associated with the Nuremberg trials.

The Film: It's a long courtroom drama, but it's a good-looking film that focuses on the hard, cruel truths behind the inhumanity of the Holocaust. The film is big and broad, with its immense and talented cast. Even after all these years, the film holds up well as a mirror looking back on the complexities of the situation following WWII.

My current score: 4/5
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94:  The Right Stuff

Drama Of: The test pilots and the first astronauts of Project Mercury.

The Film: It's a long film, but it gets more and more interesting when the guys finally get to break past the Earth's atmosphere. The characters, always struggling to prove who's the fastest and who has "the right stuff," provide the dramatic dynamics to make the story evenly entertaining, while a few good visual motifs draw some interesting metaphors worth exploring.

My current score: 4/5
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93:  Nymphomaniac Parts I and II
Drama Of: Joe, the woman who can't get enough.

The Film: This epic two-part saga chronicles the exploits of the main character throughout her life, showing how insatiable lust pushes her further and further down darker paths of pleasure and pain. The film certainly doesn't leave much to the imagination, but it is a well-told tale that entwines expressionistic images with the plot, and brings up some interesting points on sexuality overall. However, the ending of the whole thing might leave you feeling bewildered.

This film is available as a director's cut, which extends the total runtime of the whole saga to over five hours. Most of the new scenes are seamless, but there is one extremely graphic scene that everybody's better off not seeing.

My current score Part I: 4/5 Part II: 3.5/5
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92:  Edward Scissorhands
Drama Of: Edward.

The Film: The man has scissors for hands! How crazy is that? Of course, it's difficult for Edward to really grab and hold things. But what really makes his life a compelling struggle are the same characteristics that endure in other Tim Burton films: the themes of simply being different than everyone else and being an outsider, especially in the midst of an idyllic, clean, conservative suburb. Edward is a tragic and gothic character who's out of his element, and the film is at its best when it focuses on Edward's struggle to get along with others.

My current score: 4/5
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91:  The Diving Bell and the Butterfly (Le Scaphandre et le Papillon)
Drama Of: Jean-Dominique Bauby, a man with locked-in syndrome.

The Film: This lovely-looking film boasts some innovative photography, as it literally puts the audience into the character's head for most of the film. The character's thoughts provide the narration, and even though he's not always an endearing fellow, his struggle to communicate and eventually break free of the constraints of his body drive is a compelling story.

My current score: 4/5
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90:  Precious
Drama Of: Claireece Precious Jones.

The Film: This is some messed-up drama here. Precious is a character who endures so much disabilities and abuse that it becomes impossible not to pity her. Her situation is tragic as it is, living in poverty, suffering from obesity, pregnant, and struggling with education. The matter is compounded exponentially by the horrific abuse of her parents. And she's only 16. The sheer cruelty causes her to escape into fantasy, much the same way the characters in Heavenly Creatures do. Fortunately, the film ends on a more inspiring note, as Precious eventually finds help, and helps herself, rise out of adversity.

My current score: 3.5/5
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89:  A Bronx Tale
Drama Of: Lorenzo Anello and his son.

The Film: I have to admit that it's been a long time since I saw this film, but from what I remember, it's a darn good film with some hard-hitting violence and a heartfelt story. The gang wars that erupt are intense, but at its core, the film's focus on a father trying to protect his son is a powerful and evoking tale worth telling.

My current score: 4/5
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88:  How Green Was My Valley
Drama Of: The Morgans: Welsh miners.

The Film: This valley is shockingly not all that green; the film is a really grungy-looking picture, showing a world coated in soot and smoke from the intense industrialization and exploitation of the beautiful landscape. In the midst of this unhealthy landscape, the Morgans' daily struggles become compelling, and one can't help but to feel for them as they try to eke out a living. Performances are good, and the photography (even while focusing on the dirty settings) is gorgeous.

My current score: 4/5
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87:  Heavenly Creatures
Drama Of: Pauline Parker and Juliet Hulme, girls whose friendship is so close that they share a common fantasy, and may even share a desire to murder.

The Film: From the real-life tragedy, this film outlines the reasoning behind why these girls felt the need to kill Mrs. Parker. As disturbing as the tale is, the film successfully evokes sympathy for the girls, as it tracks their gleeful friendship and their vivid fantasies. They become characters we can love and root for, especially when confronted by a whole society of judgmental, conservative, controlling attitudes. The tension builds little by little until it all leads to a desperate and bleak climax. Peter Jackson's style naturally brings this simple story to vivid life with his eccentric camera work, geniune New Zealand settings, and a lively cast.

My current score: 4/5
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86:  Ace in the Hole
Drama Of: Chuck Tatum, news reporter who can make his own news in thrilling new ways!

The Film: The premise of this film is that a news reporter responds to a man trapped in a cave, by keeping him trapped there and developing a total media circus around him. What a slimeball. And yet, how much truth could there be to this? How willing is the press, to contort truth and put lives at risk for the sake of a story that's bound to be an ace in the hole? I find this story evoking as a testament to the cruel power of greed and ambition, and it's something I think is frightfully plausible.

My current score: 4/5
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85:  Dolores Claiborne
Drama Of: Dolores Claiborne and her daughter, resolving crimes of the past and the present.

The Film: Few can make drama more hard-hitting and grotesque than Stephen King, and this tale presents a few of his signature themes: domestic violence, alcoholism, child abuse, to name a few. The film strikes a stark tone, and it becomes relentlessly brutal when the domestic violence hits. For the most part, it's the characters and their relationships that comprises their struggle to uncover the truth of whether justice needs to be served, or if murder is justifiable.

My current score: 4/5
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84:  The Wrong Man
Drama Of: Christopher Emmanuel "Manny" Balestrero, the man wrongfully arrested, tried, and imprisoned for a crime he didn't commit.

The Film: One of the few films Hitchcock made based on a real-life case, but the man's signature suspense permeates through this classy film-noir picture thanks to the desperation of the character as he's churned through an unsympathetic justice system like meat going through a machine in a factory. As I understand it, Hitchcock had a natural distrust of the poilice, and his paranoia shines through this film as we follow the character all the way to jail. The story by nature evokes sympathy and outrage, and it gets to the point where you want justice to be served right in the end.

My current score: 4/5
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83:  Escape From Alcatraz
Drama Of: Frank Morris, one of the few men to have escaped from Alcatraz.

The Film: Like any prison movie, it's gritty and rough-around the edges. Clint Eastwood delivers even more grit to the experience with his signature tough-guy performance. It is a modestly thrilling experience to watch these guys plan and execute their escape, and it is an experience I find modestly satisfying.

My current score: 4/5
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82:  A Night To Remember (1958)

Drama Of: Passengers of the RMS Titanic.

The Film: This dramatization of the Titanic's sinking is quite well-grounded in fact and personal accounts, providing a documentary-like perspective on the famous ship's final night at sea. Characters aren't a huge standout here, but there are many of them, and their combined perspectives provide a macro-view of the pandemondium that ensued during the ship's sinking. It gets most engaging when the ship sinks, but the attention to detail and quality filming makes it a classic, definitive Titanic movie. The only thing better is, arguably, Titanic, which covers a lot of the same ground, but provides a romantacist plot to evoke a deeper pathos, and a grander spectacle.

My current score: 4/5
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81:  Of Mice and Men (1992)
Drama Of: George and Lennie.

The Film: Even though I favor the 1930s version more, this version has its merit. It is a colorful film with all the same edge and storytelling nuance of the novel, and a decent cast to bring the characters to life well. The two leads - Gary Sinise and John Malkovich - are the biggest reasons to see this version. Otherwise, it's generally good.

My current score: 4/5
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To be continued...

December 6, 2014

Book Review: Doctor Sleep (Stephen King)

It's been 36 years since one of Stephen King's biggest and most famous titles, The Shining, hit bookstores and made a huge splash in the world of horror fiction.  It had a simple premise of showing a family haunted, tormented, and pulled apart by ghosts haunting a hotel; they found salvation only in their gifted son, who used his shining - telepathy - to call for help.  As simple as it is, the book remains a horror classic thanks to its imagination, its nuanced attention to stark themes of domestic violence and alcoholism, and King's signature laid-back ethos.

Personally, I would have been happy if The Shining remained a one-off.  It told the story it needed to well, and ended in a satisfying manner.  However, when the question came up about what could have happened to the little boy who survived the ordeal of the Overlook Hotel, King decided to answer that question for himself, by writing this novel, Doctor Sleep.

The book picks up on Danny Torrance's life since the events of The Shining, and it's not always an endearing tale.  Danny becomes something of a lost soul, who decides to drown out his shining abilities and his painful memories in drinking.  Once he feels he hits rock bottom, he picks himself back up, tries to live a cleaner life, but inevitably his path clashes with a new main character.  The story of Danny becomes entwined with the story of Abra Stone, a girl with super-duper shining abilities.  The two connect psychically, but as Abra grows and matures, she draws the attention of a new kind of evil.  Things get really interesting and gripping when The True Knot - a group of vampire-like people who roam around America feeding off of kids with the shining - target and hunt Abra.  It all builds up methodically to a psychically-charged climax at the site of the Overlook Hotel.

It is a breezy and thrilling book, easily among King's most accessible works.  It is a meaty book, but it's not too wordy that it becomes bloated.  The book strikes a good pace and a good balance between dialogue, description, and action.  King's laid-back style makes the words flow by well, and the plot by nature makes you want to read more to see what will happen next.  Conflict runs strong - even during the less exciting scenes, the focus on the supernatural and characterization keeps it engaging.

The story is pretty cool and new.  It's thankfully not a rehash of any kind, and it presents a plethora of great new characters.  If anything, character-building is the book's greatest strength;  Danny's life story is so full of ups and downs that you can't help but to sympathize with him.  Strong themes of alcoholism and history repeating itself emerge strongly through his story.  On the flipside, Abra is a great, perfectly-lovable character, who also exudes a great amount of attitude and spirit.  Side characters are pretty decent, and the villains (especially Rose) are classic King villains so despicable that we love to hate them.  There's a lot of strands in the plot that get juggled around.  I can't say that the revelations concerning Dick Hallorann are all that endearing or even necessary (it's actually kind of sick, but I guess it ties into the ongoing theme of child abuse), but other than that, the story ties everything together into an elegant braid of complex characters and thrilling situations.  It's especially inspiring to see how King evolved this world from the small-scale settings of the Overlook Hotel and expanded it to encompass the entire nation.  And yet, everything is connected quite sublimely.

This book is written in King's classic style; a slick combination of elegant description and down-to-Earth wording.  Dialogue is really sharp and good, descriptions aren't too overbearing, details seem well-researched and refined, and the book matches up with the original Shining well.

Doctor Sleep is a grand supernatural adventure with heart, thrills, and a group of superb characters.  It's easily one of the best books in King's repertoire, and even though you can read The Shining on its own merits, this is an excellent follow-up.

4.5/5 (Entertainment:  Very Good | Story:  Very Good | Book:  Very Good)