This film represents a natural evolution of the rough, intense, deeply
sociopolitical textures that Neill Bloomkamp previously worked with in District 9. Many comparisons can be made between D9 and Elysium;
they're both particularly ugly films that face certain ugly truths
through the thin veil of sci-fi, and they're both set in some of the
trashiest slums ever filmed. At the same time, Elysium borrows a lot from the anime Battle Angel;
both are stories in which the rich and poor are separated between the
Earth and some high-flying city, and the characters fight their way to
the top with some help from cybernetics. There are also individual
scenes that reminded me of other things: one scene reminded me of Total Recall, the main henchman was like an evil version of Metal Gear's Solid Snake, I couldn't help but to think of the Ghost in the Shell saga and the works of William Gibson with all the high-tech surveillance ops and brain-hacking.
Despite being somewhat unoriginal, Elysium is every bit as
awesome and awe-inspiring as I expected. The action hits hard and
rough, with frequent fights and shoot-outs, all made even more explosive
and incredible with a plethora of futuristic gear. The film can get
pretty gruesome, for there are a few exploding bodies and
painful-looking injuries, but it's still nowhere near as gnarly as District 9.
Some incredible slow-motion shots and gorgeous special effects make
the excitement stand out even more. In between the action scenes, the
film maintains even pacing with strong conflicts and quality visuals.
As noted above, the story covers pretty standard sci-fi ground. It does employ some interesting concepts though: the actual Elysium space
station is a magnificent utopic space habitat (a Stanford Torus
design), the likes of which is often envisioned by futurists and sci-fi
authors, but has never actually been produced on the big screen for some
odd reason. The world of Elysium is visually fantastic and really cool.
The actual plot is solidly-built, with its foundations firmly set in
conflict and action. It takes some really interesting twists and turns;
the climax is a little predictable, but everything leading up to it is a
real roller-coaster ride. Characters aren't particularly deep; the
villains are especially one-dimensional. However, the film does its
best to humanize the heroes and the poor people they fight for, to best
emphasize its key themes. The themes are not all that subtle, and the
political stance is not something I personally agree with, but I
appreciate the effort and nobility of the film, as it underscores such
hot topics as immigration, healthcare, and class warfare.
This film uses pretty rough and gritty photography and editing. The
camera does shake around a bit during some scenes, but it didn't agitate
me nearly as much as I thought it would: I could see the action
perfectly well, and I thought a lot of the camera angles and
compositions were cool. Acting is alright: Matt Damon is a pretty
generic action hero here, Sharlto Copley (hey, the dude from District 9)
is flipping crazy, and Alice Braga offers the most touching performance
of the lot. Surprisingly, Jodie Foster is the weakest link, thanks to
her butchery of the French accent. Writing is not bad. This picture
has really cool and real-looking sets, props, costumes, and special
effects. Music is pretty good too.
I felt this was a perfectly satisfying and awesome sci-fi adventure, despite a few quibbles. District 9
remains a fresher, more original, and more deeper experience; I think
it's because it offered something nobody had really seen before. Elysium,
on the other hand, offers something we've all seen before, so it hasn't
struck as hard with audiences. Personally, I think I prefer Elysium over D9,
for having a more complex plot, more incredible action, and more
far-out ideas. Both would make a great double-feature, and I do hope
director Neill Bloomkamp continues to pump out similarly raw and
uncompromising pictures. If you're a big sci-fi fan like me, Elysium is definitely worth seeing; I'd recommend it as a rental to casual viewers.
5/5 (Entertainment: Perfect | Story: Very Good | Film: Very Good)
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