Cases of serial killers can be sick as it is, but trying to analyze what
could be going on in a killer's head can be a frightening and harrowing
look into the face of evil itself. The Cell is a film that
traps its characters, and the audience, in the mind of such a killer.
Half of the film plays out like a pretty standard crime-thriller
mystery, on a similar level to Silence of the Lambs. The rest of The Cell, however, is a truly unique odyssey.
It
can take a while to establish the initial plot points and concepts, but
once the plot complications set in, the film dives into some very
interesting and nightmarish territory. With the premise of characters
literally exploring the subconscious of a killer's mind, the film
progresses through a number of unforgettable sequences that are vividly
weird, surreal, and extravagant. Some of the scenes are grungy and
dark. Others are flowery and artistic. Most are freaky as hell. All
of it is something worth seeing and remembering.
The actual story
is pretty simple, but it manages to cram in as much as it can, thanks
largely to the association of imagery and symbols. Characters aren't
the high point necessarily, but the main villain shows a lot of
psychological depth that makes him stand out the most, for better or for
worse.
This film uses very stylish and awesome photography and
editing, including a lot of unique camera angles and unusual movements.
Acting is okay: it can be a bit hard to take Vince Vaughn or Jennifer
Lopez seriously, but I think Vincent D'Onofrio was the best of the lot.
Writing is generally okay. This production uses some extremely
extravagant and imaginative sets, props, costumes, and special effects.
Howard Shore's score is noisy and weird, for better or for worse.
The Cell is a trippy experience. It has a cool plot that predates Inception,
but it's probably most memorable for its far-out images and its freaky
exploration of a psychopath's subconscious. If you think you can handle
it, it's certainly recommended.
4.5/5 (Experience: Very Good | Story: Good | Film: Very Good)
No comments:
Post a Comment