It's been fourteen years since the X-Men first hit the big screen,
setting the trend for a whole monsoon of comic-book movies. Counting the
two stand-alone Wolverine movies, Days of Future Past is the seventh in
the series. The X-Men have had so many ups and downs over the years
that it's easily become the most convoluted franchise since the original
Planet of the Apes. This film fulfills the same role as Escape from Planet of
the Apes, redirecting the story arcs to rectify past mistakes and set
the path for a bold, promising future.
Days of Future Past takes after First Class primarily, but there are vague connections to the other movies. Unlike the previous films, this one doesn't have the same light-spirited kick-butt feel. If anything, it starts off looking like The Terminator, swapping out T-800s for Sentinels, with Wolverine standing in for the T-101, Mystique fulfilling the role of Sarah Connor, and Trask standing in for Miles Dyson and Cyberdyne. However, it never comes off as a rip-off; it's still X-Men to the core. The bleak future we see in the film's opening has always been in the cards, representing the apex of the ongoing conflict between men and mutants; the set-up is laid out very quickly, before launching a double-barreled narrative in both the past and the future with substantial stakes and suspense.
In lesser hands, this could have become a hokey affair (and chances are that the most critical of viewers could nitpick plot inconsistencies, especially when time travel is involved). However, this is easily the most mature film of the series, thanks not only to the complex plot dynamics that unfold with this unique premise, but also because of the characters. Their motivations and relationships are as strong as ever, and drives the story into different directions. Charles Xavier in particular emerges as the heart and soul of the whole film, driving numerous conflicts among other characters and within himself that underscores key themes concerning progress, destiny, and overcoming adversity of any kind. A lot of the lesser characters get sidelined, but Wolverine, Mystique, Magneto, and Beast get plenty of screen time.
Fortunately, as the plot unfolds, it does pull out a satisfying amount of action and spectacle. It's never overblown or overwhelming, and it's not just a bunch of things blowing up just because; it's nicely-balanced action that builds logically from the story. Scenes in the future show some pretty harrowing super-powered fights, while the rest of the film dishes out a lot of cool fights (including one crazy scene entirely in slow-motion, thanks to one super-fast mutant). It all builds up to a double-whammy climax, which not only ramps up the carnage, but also draws out the suspense.
This film features pretty good photography. Editing is fine, although it seemed like there were a lot of scenes in the beginning where a character starts to talk, but then the camera cuts away, and it came off as a little weird, as if the movie didn't want to show you who was talking. Acting is great across the board; James McAvoy and Patrick Stewart both excel as Charles Xavier, while Michael Fassbender continues to dominate as the younger Magneto (unfortunately, I felt Ian McKellen wasn't given enough to do here). It was also great to watch Jennifer Lawrence, Hugh Jackman, and Peter Dinklage. Writing is good, especially in the way it addresses the continuity of the series and bridges the gaps it needs to, while keeping things fresh and crafting a quality story with quality dialogue. This production has good-looking sets, props, costumes, and special effects. Music is alright (you can expect to hear a little bit of a reprise of the theme from the first two movies).
Days of Future Past is a movie about saving the future, not only in the movie, but also for the franchise as a whole. Despite certain contrivances, it is a highly nuanced story that rectifies some of the low points of the series. It genuinely kept me interested to see where it was all going. Even after the movie, it kept me interested, leaving just enough questions wide open to leave me wanting more. Best of all, the film accomplishes all this using plot and character more than special effects. So long as you've freshened up on the events of First Class, this film is highly recommended.
4.5/5 (Entertainment: Very Good | Story: Very Good | Film: Very Good)
Days of Future Past takes after First Class primarily, but there are vague connections to the other movies. Unlike the previous films, this one doesn't have the same light-spirited kick-butt feel. If anything, it starts off looking like The Terminator, swapping out T-800s for Sentinels, with Wolverine standing in for the T-101, Mystique fulfilling the role of Sarah Connor, and Trask standing in for Miles Dyson and Cyberdyne. However, it never comes off as a rip-off; it's still X-Men to the core. The bleak future we see in the film's opening has always been in the cards, representing the apex of the ongoing conflict between men and mutants; the set-up is laid out very quickly, before launching a double-barreled narrative in both the past and the future with substantial stakes and suspense.
In lesser hands, this could have become a hokey affair (and chances are that the most critical of viewers could nitpick plot inconsistencies, especially when time travel is involved). However, this is easily the most mature film of the series, thanks not only to the complex plot dynamics that unfold with this unique premise, but also because of the characters. Their motivations and relationships are as strong as ever, and drives the story into different directions. Charles Xavier in particular emerges as the heart and soul of the whole film, driving numerous conflicts among other characters and within himself that underscores key themes concerning progress, destiny, and overcoming adversity of any kind. A lot of the lesser characters get sidelined, but Wolverine, Mystique, Magneto, and Beast get plenty of screen time.
Fortunately, as the plot unfolds, it does pull out a satisfying amount of action and spectacle. It's never overblown or overwhelming, and it's not just a bunch of things blowing up just because; it's nicely-balanced action that builds logically from the story. Scenes in the future show some pretty harrowing super-powered fights, while the rest of the film dishes out a lot of cool fights (including one crazy scene entirely in slow-motion, thanks to one super-fast mutant). It all builds up to a double-whammy climax, which not only ramps up the carnage, but also draws out the suspense.
This film features pretty good photography. Editing is fine, although it seemed like there were a lot of scenes in the beginning where a character starts to talk, but then the camera cuts away, and it came off as a little weird, as if the movie didn't want to show you who was talking. Acting is great across the board; James McAvoy and Patrick Stewart both excel as Charles Xavier, while Michael Fassbender continues to dominate as the younger Magneto (unfortunately, I felt Ian McKellen wasn't given enough to do here). It was also great to watch Jennifer Lawrence, Hugh Jackman, and Peter Dinklage. Writing is good, especially in the way it addresses the continuity of the series and bridges the gaps it needs to, while keeping things fresh and crafting a quality story with quality dialogue. This production has good-looking sets, props, costumes, and special effects. Music is alright (you can expect to hear a little bit of a reprise of the theme from the first two movies).
Days of Future Past is a movie about saving the future, not only in the movie, but also for the franchise as a whole. Despite certain contrivances, it is a highly nuanced story that rectifies some of the low points of the series. It genuinely kept me interested to see where it was all going. Even after the movie, it kept me interested, leaving just enough questions wide open to leave me wanting more. Best of all, the film accomplishes all this using plot and character more than special effects. So long as you've freshened up on the events of First Class, this film is highly recommended.
4.5/5 (Entertainment: Very Good | Story: Very Good | Film: Very Good)
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