If it's one thing action movies can teach us, it's that you don't mess with people who have nothing left to lose. John Wick
hinges on the simple premise of a retired hitman who plows through the
Russian mafia and leaves a mile-long body trail, all because they killed
his puppy. And stole his ride. Somebody has to pay!
As silly this may sound, the film plays it all with a straight face, and it works because there is a good amount of heart to the setup. In the opening scenes, we see that this is more than the story of a man, his car, and his dog; it's the story of a loss and betrayal. Once the appropriate pathos is established, John Wick rises as the tough and skilled action hero we can root for. It doesn't take long for the butt-kicking to commence, but once it does, it's densely-packed, fast-paced, relentlessly-brutal, and very well-executed. Whether shooting, punching, stabbing, or running bad guys over, it is quite a rush to watch Wick descend into the criminal underworld and find payback.
As exciting and stylish as the film is, what really keeps it from falling into mediocrity is the title character. The film successfully evokes sympathy for Wick - the man who lost his wife, before losing everything else - and it provides a solid reasoning for why we should care about whether or not Wick succeeds. As the film goes on, Wick's journey takes him through a bizarre criminal world with its own set of rules, codes, and even currency. It turns out that it's a world Wick is already familiar with, and he has a history with most of the minor characters that pop up. Thus, the film unearths stark themes of how the past, present, and future are entwined.
This film is well-shot, with great-looking photography and editing. It is especially refreshing that the action scenes are solid and steady, with no fast-cutting or camera shake. I also think the color schemes and nighttime cityscapes lend the film a dark and grimy type of neo-noir appeal. Acting is fine for what it is; you may not think much of Keanu Reeves, but this film is proof that the man can act. His portrayal of John Wick is quite spot-on. And he can kick a lot of butt very impressively. Writing is not the best, but it gets the job done. This production has pretty good-looking sets, props, and costumes. Music choices, and the music score, feature really heavy beats and hard rock cues, and I found it awesome that way.
John Wick, much like A Bittersweet Life, is a dark crime movie with lots of action, but also a lot of emotional backing behind its characters. It's a simple story that's told well and features plenty of satisfying setpieces. Recommended for at least one viewing.
4/5 (Entertainment: Very Good | Story: Good | Film: Good)
As silly this may sound, the film plays it all with a straight face, and it works because there is a good amount of heart to the setup. In the opening scenes, we see that this is more than the story of a man, his car, and his dog; it's the story of a loss and betrayal. Once the appropriate pathos is established, John Wick rises as the tough and skilled action hero we can root for. It doesn't take long for the butt-kicking to commence, but once it does, it's densely-packed, fast-paced, relentlessly-brutal, and very well-executed. Whether shooting, punching, stabbing, or running bad guys over, it is quite a rush to watch Wick descend into the criminal underworld and find payback.
As exciting and stylish as the film is, what really keeps it from falling into mediocrity is the title character. The film successfully evokes sympathy for Wick - the man who lost his wife, before losing everything else - and it provides a solid reasoning for why we should care about whether or not Wick succeeds. As the film goes on, Wick's journey takes him through a bizarre criminal world with its own set of rules, codes, and even currency. It turns out that it's a world Wick is already familiar with, and he has a history with most of the minor characters that pop up. Thus, the film unearths stark themes of how the past, present, and future are entwined.
This film is well-shot, with great-looking photography and editing. It is especially refreshing that the action scenes are solid and steady, with no fast-cutting or camera shake. I also think the color schemes and nighttime cityscapes lend the film a dark and grimy type of neo-noir appeal. Acting is fine for what it is; you may not think much of Keanu Reeves, but this film is proof that the man can act. His portrayal of John Wick is quite spot-on. And he can kick a lot of butt very impressively. Writing is not the best, but it gets the job done. This production has pretty good-looking sets, props, and costumes. Music choices, and the music score, feature really heavy beats and hard rock cues, and I found it awesome that way.
John Wick, much like A Bittersweet Life, is a dark crime movie with lots of action, but also a lot of emotional backing behind its characters. It's a simple story that's told well and features plenty of satisfying setpieces. Recommended for at least one viewing.
4/5 (Entertainment: Very Good | Story: Good | Film: Good)
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