For years, a third Mission Impossible movie seemed unlikely, until JJ Abrams accepted the mission to make it happen. As Abrams' debut picture, Mission Impossible III is a rip-roaring thrill ride full of color and energy.
From its first scene onwards - half of a torture scene that is
ultimately revisited later in the picture - the movie sets itself apart
from its predecessors. It is grittier and more violent, showing agents
skirting death and disaster in the hands of dangerous villains. There
are really neat scenes of infiltration and deception, including a daring
operation in the Vatican and a building in Shanghai. There's also a
lot of loud and frenetic action, to include a thrilling helicopter
chase scene through a windfarm, a drone attacking cars on a bridge, and
plenty of gunfighting.
There is plenty of action and energy to keep the film rolling at full
steam ahead, without being overblown. As welcoming as the pace is, one
thing keeps it from being perfect: the cameramanship. Photography is
good a lot of the time, but there are a lot of scenes where the camera
shake becomes erratic, and it often hinders the action more than it
helps. It's not quite as awful as The Bourne Supremacy or anything, but I would have liked MI: III
a grade more if the camera would settle down a bit more.
What makes this film work, thankfully, is the storytelling. It's a
pretty simple and straightforward affair. The plot ultimately revolves
around people fighting over "The Rabbit's Foot," the full details of
which are never disclosed (although it's not too hard to figure out what
it could be in the end). It's ultimately not the focus of the story;
it's just a device to showcase the true conflict, which is between the
hero and the villain. At this point in the series, Ethan Hunt has become
a more reluctant hero, having found a woman to settle down with. When
he's dragged back into action, he spurs the villain, Owen Damien, to
hit back where it hurts the most. Characterization is at its best in
this film; Ethan is finally given something for the audience to latch
onto emotionally, and when it becomes threatened, it reveals Owen
Damien to be one of the most chilling and heartless villains committed
to the big screen. This simple focus on characters makes the story and
action flow much better than everything that happened in the previous
movies, representing a huge step-up in quality storytelling.
This film is captured with very striking photography; colors are very
vivid, details are sharp, and the film looks very slick overall. Camera
shake does rear its ugly head in many scenes, but for every shakey
scene there's also a very good-looking scene, so it balances out.
Editing is pretty sharp and concise. Tom Cruise seems to play Ethan with
more maturity than before, ditching most of the cockiness and adding
in a decent amount of emotional heft. Phillip Seymour Hoffman excels as
the villain in a chillingly perfect performance. Michelle Monaghan is
lovely in all respects, and it's great to see Simon Pegg and Maggie Q
in the mix. Other actors aren't bad. Writing is pretty straightforward
and good. This production uses good-looking sets, props, costumes,
special effects, and some real-looking locales. Music is pretty good.
The first mission had great scenes, but came off as being rather dry.
The second mission was just crazy. The third time is the charm, thanks
to the focus on an actual story with actual characters worth seeing.
This mission comes highly recommended, even if you haven't seen the
others.
4/5 (Experience: Pretty Good | Story: Very Good | Film: Good)
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