It takes a lot to scare me, especially in a novel. H.P. Lovecraft's
shtick has always crept under my skin with theory alone, and there's myriads of other media that carries over the same tropes of cosmic horror
with varying degrees of success. When it comes to the original (and all
things original for that matter), there are things to admire, but it's
just that--a thing to admire.
Writing itself was different in Lovecraft's day--much more tolerant of telling, not as much showing. With At the Mountains of Madness,
the dude expends many many pages to describe this Antarctic expedition
in a dry, scholarly voice. He stiffly describes the slow, gradual
exploration of desolate ice fields, mountains, and finally an ancient
city that shouldn't even exist in our reality. It's at its best when the
macabre happens--dead bodies, mutilated animals, stolen and broken
supplies, all with no apparent cause...now that's creepy. But the climax
of the experience occurs when the characters behold one of these Elder
Things and it just freaks them out of their minds.
When the
macabre becomes apparent, the story does hold some level of dread,
tension, and suspense. I pretty much kept reading because I knew this
would pay off with some kind of crazy monster at the end. But to get
there, you have to wade through a ton of dry prose that tells (not
necessarily shows) the journey, the history of all the things (including
the things that should not be), and so on. The only emotions that
emerge out of the text is terror, at the end. Which might be the point I
suppose--the characters are blank slates that let us experience their
terror, but when you spend a hundred pages describing every shape,
stone, street of an ancient city, it reads like a textbook. Don't even
get me started on the hieroglyph reading, which leads to a massive
infodump on the whole genealogy of the Elder Things and all the critters
that bleed into other Lovecraft stories (to be fair, the
shared-universe aspect of his work is a nice touch).
What
attracts me to Lovecraft will always be his core themes: that some
things are so far above-and-beyond humanity we can't even comprehend
them. To try is to go mad. And those things will crush us, not because
they're evil but because we're all just petty insects to them. The
vastness of the cosmos and the greater creatures that could exist beyond
Earth or the universe is what instills terror, either with a direct
confrontation with an abominable Elder Thing, or with the implied
effects of their existence (which is scattered with freaky details
throughout the whole expedition). It's the themes that define just about
every Lovecraft story I've read so far. I'd even go so far to say that
most of his stories have the same pattern: characters experience
something weird, it lures them into a creepy place, they see a monster,
they come out of it mad. Same pattern in this book, just as it is with Call of Cthulhu or The Colour Out of Space and whatnot. Same-but-different.
This
is one of those works where I wanted to like it more, but couldn't get
past the long, wordy, super-dry prose. I can get behind the idea of it,
because this brand of horror is something I admire and do find
unsettling. The story is solid, but the execution fell flat for me
personally. It's a thing to be admired--studied even. And I'm glad I
read it (along with some of the other Lovecraft stories). But it's a
vast universe of terror, and I believe Lovecraft's influence has birthed
a cosmos of other, more unique, more enjoyable, and maybe even scarier
stories.
3/5
No comments:
Post a Comment