Film Review: Kill Bill Volume 2

"I've killed a hell of a lot of people to get to this point, but I have only one more. The last one. The one I'm driving to right now. The only one left. And when I arrive at my destination, I am gonna kill Bill." - Uma Thurman

Quentin Tarantino channels the manic, ultraviolent, stylized energy of cheesy kung-fu cinema, American westerns, and a slight twist of Italian horror, and he uses it all like threads to weave one of the greatest revenge stories ever made. Both Kill Bill movies collectively form a coherent, cohesive, sublime storytelling package; ideally, they should be watched back-to-back to understand every nuance of the story and the characters, since there is so much depth to them.

Volume 2 of this saga fills in the gaps that its predecessor left behind, not only in following up on the rest of the Bride's rampage, but also in revealing her full back story.  But while Volume 1 had tons of rip-roaring action and an extremely vivid style, this follow-up is much more toned-down and mellow, laden with more dialogue than swordplay.  In a way, this falls more in line with Tarantino's other work, but I personally favor the first film more for being sublimely entertaining.  As it is, Volume 2 tends to be a bit long-winded and dry.

That being said, it still has a lot of brilliant moments that are worth seeing, including the burial scene, the fight between the Bride and Elle Driver, the brutal training scenes with Pai Mei, and the last half-hour or so, which builds up to a beautiful bittersweet ending.

For the most part, it's the story that counts, and it excels at taking characters we already know and love, and taking them to the next level.  The full reasons for both sides of the conflict are finally revealed, generating empathy for both Bill and the Bride.  Any other movie would be content in leaving things as a plain, straightforward black-and-white affair, but in this case, there's much more insight to the characters and the overall plot.  It all builds up to the inevitable climax, which pulls out one of the most heart-wrenching twists imaginable.  Through it all, the film provides the most satisfying ending possible, and it makes the entire Kill Bill saga one of the most endearing and complete storytelling experiences made.

This film is crafted with superb photography and plenty of flashy editing.  A few title cards, flashbacks, and asides are thrown into the mix for a stylized effect.  Acting continues to impress:  Uma Thurman is effectively perfect in her role, and it's especially notable how physically demanding her role must have been.  David Carradine exhibits an interesting presence as Bill, while Michael Madsen and Daryl Hannah excel at being villains we love to hate.  Writing is very sharp and interesting.  This production boasts some good-looking sets, props, costumes, and locales.  Music is pretty good at times, though I enjoy the music choices of Volume 1 better.

While Volume 1 excels at the action and style but comes up a little shorter on substance, Volume 2 is the opposite, subduing the action to favor the dialogue and storytelling.  Some people may like one over the other.  I personally prefer Volume 1, but this sequel is essential for the complete experience, and it adds up to a satisfying saga.  If you can handle the violent bits, the whole affair is highly recommended.

4.5/5 (Entertainment: Pretty Good | Story: Perfect | Film: Very Good)

Film Review: Kill Bill Volume 1

"Silly Caucasian girl likes to play with Samurai swords..." - Lucy Lui

Quentin Tarantino channels the manic, ultraviolent, stylized energy of cheesy kung-fu cinema, Japanese anime, and a slight twist of American westerns, and he uses it all like threads to weave one of the greatest revenge stories ever made. Both Kill Bill movies collectively form a coherent, cohesive, sublime storytelling package; ideally, they should be watched back-to-back to understand every nuance of the story and the characters, since there is so much depth to them.

Even if you decide to watch it separately, Volume 1 doesn't disappoint on its own merits. In fact, this is the most entertaining of the two films; it starts off fast and hard and hardly lets up.  It focuses a lot less on words and story-building, drip-feeding the audience just enough to understand what's going on, before diving headlong into a gory rampage (Volume 2 is the opposite, so if it is dialogue and storytelling you're after, you might want to follow up on the sequel). There are a number of good fight scenes throughout the first hour, but the film's last act is a host for one of the longest and finest fight scenes ever filmed. It starts off with a number of one-on-one engagements, before busting all out with a massive one-vs-fifty brawl. The katana-wielding Bride proves herself to be a triumphant heroine, as she hacks and slices her way through an army of enemies, gradually honing in on her ultimate target (who is, of course, a dude named Bill).

If you're wondering what on Earth could warrant such bloodshed, rest assured that the story for Kill Bill is sound. This first film does a marvelous job of using strong visual imagery, flashbacks, and narration to establish the groundwork for this revenge plot. You can really get to feel for the character, given all the torment she suffers under the hands of Bill and his assassins; it makes it easy, and dare I say enjoyable, to watch her rise from adversity and get some payback. At its core, the film brings to life some brilliant characters with a solid amount of depth (especially after watching the sequel, which answers a lot of unanswered questions) and lots of personality.

Even by Tarantino standards, Kill Bill stands as one of the most stylish films made. It features excellent photography, some very unique editing, and plenty of strange artistic effects that help accentuate the film's given style. You can expect plenty of title cards and subtitles flashing across the screen, along with some occasional asides and digressions. One of the most notable stylistic choices will be the anime segment, brought to life by Production IG with a style that's sketchy, but visceral. The film overall carries the same tone and style as a 1970s Japanese gangster movie, and it's cool. Acting is impeccable; Uma Thurman puts on her best performance of her career, for she brings the Bride to life in a way that nobody else can (and she endures a lot of heavy physical work in doing so). Lucy Lui plays it cool as the villain, O-Ren Ishii. Cameos by David Carradine and Sonny Chiba don't hurt either. Every other actor fulfills their parts well, no matter how minor. This production has good-looking sets, props, and costumes. The film uses a varied mix of music, including a rockin' live performance by the Japanese band the 5.6.7.8.s; it's all pretty darn cool.

Out of the two films, Volume 1 is my favorite. It represents everything I enjoy in films:  the slick combination of style, action, and storytelling.  For me, it never gets old, and I've grown to love all the characters and nuances of these films.  If you can stomach the extreme violence, then it comes highly recommended.

5/5 (Entertainment: Perfect | Story: Perfect | Film: Perfect)