"He who can destroy a thing, controls a thing." - Kyle MacLachlan
Dune is a very strange, vicious, beautiful place, from a very renowned
series of novels by Frank Herbert and his son. Book fans and sci-fi
aficionados should already be familiar with this fantastic franchise
full of otherworldly planets and empires, of fremen and sandworms, and
the spice melange.
This 1984 film is an attempt to adapt Frank Herbert's deep and dense
story into a palpable format. At the time of its release, the film was a
massive flop, and it has garnered its fair share of complaints. So much so that even director David Lynch condemned the film as his biggest failure, and has effectively disowned it. The
biggest issues are that the film is gaudy, messy, and pretentious.
Chances are that if the world of Dune doesn't captivate you, these issues will beat you over your head, and you'll walk away thinking the film overly long and dull.
Dune does captivate me, however. From start to finish, it dishes
out a plethora of fantastic imagery, thanks to its strange array of
baroque props and costumes, its elaborate settings, it the story
overall. David Lynch manages to squeeze in a few of his signature
freak-out scenes, with strange images and scenes overlaid over each
other in surreal montages, mostly during dream and spice-induced
sequences. The man also tends to focus a lot on strange and grotesque
details, many of which are so weird and out-there that they might seem
out of place or unintentionally funny. And yet, that's one of the
things I love about this film: the strangeness of it. I believe it's
immensely successful at being otherworldly, and I feel that's most
appropriate for Dune.
This film's pacing can be a hit or a miss though. The first half is
entirely devoted to House Atreides settling on Arrakis, and these scenes
can be rather dry. The more interesting segments occur in the last
half, with the fremen uprising against House Harkonnen. There are big,
epic battles at key moments, but they are pretty short, and special
effects are of such mixed quality that it can be distracting (the
biggest gripe I have is that many guns go off without producing any
visible beams or bolts). What really makes this film interesting will
be the individual scenes involving the characters and their journey.
That brings me to the most important aspect to this film: the story.
Fans of the book may complain that the film swaps out "desert power"
with weirding modules, thus undermining the tactical prowess of the
characters. However, I feel the movie does the book decent justice,
especially in the overall tone and style. A lot from the story and
characters are lost between the book and the movie, but the fundamentals
remain. On its own merits, the movie is not hard to follow, even with
its vast array of Dune lore laid out. The plot is sound and
interesting, and there's just enough to the characters to make them
endearing. As the plot and characters progress, themes of destiny are
strongly enforced.
On a cinematic level, the film is superbly constructed, with quality
photography and very vivid editing. A few shots appear cheap,
especially with some special effects appearing incomplete or gaudy, but
other effects are great. Acting is very strong all around: Kyle
MacLachlan is especially powerful and commanding as Paul Atreides. I
enjoyed the performances of Francesca Annis, Sean Young, Jose Ferrer,
Brad Dourif, Linda Hunt, Dean Stockwell, and Max Von Sydow. Kenneth
McMillan is extremely hammy as the baron, and I love him that way.
Sting offers a brief and gratuitous cameo, but he delivers a deliciously
fun performance as Feyd Rautha, and he delivers one of the best
psychotic smiles of all time. Writing can be a hit and a miss; I love a lot of the lines, but some of them are dumb, and there is a ton of exposition (especially regarding voice-overs, which are used to death here, and probably aren't necessary). This
production uses some very elaborate, very interesting, and very big
sets, props, and costumes. The music, by the rock band Toto, is really
awesome and epic, and is one of my favorite music scores.
This adaptation of Dune has its share of issues that hasn't sat
well with many viewers. However, it is a big, sweeping, epic sci-fi
adventure with a very interesting universe. The film has a strong
emotional power in its presentation, and that alone has cemented it as a
personal favorite of mine, despite all its problems. For the open-minded sci-fi fans, I recommend giving this film a try. For an alternative adaptation, however, the Sci-Fi Channel miniseries Frank Herbert's Dune should be worth a look as well.
David Lynch's Dune has an extended cut available on DVD, which runs for about three hours. There is a wealth of interesting new scenes, but this version is very cheaply edited, it has a terrible prologue, the pacing is substantially slower, and since it was made for TV, all the bloody scenes were cut out. I personally prefer the theatrical cut, but the extended edition is worth seeing for fans.
5/5 (Entertainment: Very Good | Story: Very Good | Film: Perfect)
This film currently appears on my list of Top 100 Favorite Movies at #36, and my Top 100 Favorite Guilty Pleasure Movies at #4.
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