For the seventh James Bond adventure - and the last EON production
featuring Sean Connery - the famous spy goes on one of his wildest and
weirdest adventures.
The film starts off briskly, for in the immediate aftermath of OHMSS, we watch Bond mercilessly hunt down his arch-nemesis and take revenge. Presumably. The events of the last film are never explicitly acknowledged, but it firmly re-establishes Bond as an unstoppable man of action. From there on, however, the film remains light and campy in its tone. There is action to be had, including a few car chases and a big gun battle on an oil rig. It seems like Bond is thrust in and out of peril repeatedly. But there's also a lot of goofiness to it - Bond commandeers a moon vehicle in one scene, he fights a pair of acrobats named Bambi and Thumper just for the hell of it, and there's a pair of hitmen who act fruity. There's jokes that aren't that funny, and much like the actual casinos Bond moseys through, the film feels quite tacky and cheap.
The story's not too terrible, but it does venture into outlandish territory. Bond's investigation has a lot of ups and downs, with some deception games involved, but once everything clears up it becomes a race to stop the villain's evil plan. The film is pretty evenly silly throughout, and it doesn't leave that much of an impact in the end.
This film is made with good, but rarely great, photography. Editing is okay. Acting is swell - Sean Connery is still apt as James Bond, even with more tongue-in-cheek humor involved. Jill St. John is quite the looker in this film, but I found her character borderline unlikable. I loved Charles Gray's performance as Blofeld - the sheer villainy and class he exudes is phenomenal, just as it should be. Writing is pretty dumb. Most of this film is set in Vegas, so naturally, a lot of it looks tacky. But all things considering, the locales, sets, props, and costumes get the job done well. Special effects towards the end are terrible. John Barry's music score is really good, and Shirley Bassey's theme song is great.
Diamonds Are Forever is as silly as a Bond film can get (at least until Moonraker came along). Even then, there are things to like and enjoy about it, and it's still good-natured fun for Bond fans.
3.5/5 (Experience: Goofy | Story: Average | Film: Pretty Good)
The film starts off briskly, for in the immediate aftermath of OHMSS, we watch Bond mercilessly hunt down his arch-nemesis and take revenge. Presumably. The events of the last film are never explicitly acknowledged, but it firmly re-establishes Bond as an unstoppable man of action. From there on, however, the film remains light and campy in its tone. There is action to be had, including a few car chases and a big gun battle on an oil rig. It seems like Bond is thrust in and out of peril repeatedly. But there's also a lot of goofiness to it - Bond commandeers a moon vehicle in one scene, he fights a pair of acrobats named Bambi and Thumper just for the hell of it, and there's a pair of hitmen who act fruity. There's jokes that aren't that funny, and much like the actual casinos Bond moseys through, the film feels quite tacky and cheap.
The story's not too terrible, but it does venture into outlandish territory. Bond's investigation has a lot of ups and downs, with some deception games involved, but once everything clears up it becomes a race to stop the villain's evil plan. The film is pretty evenly silly throughout, and it doesn't leave that much of an impact in the end.
This film is made with good, but rarely great, photography. Editing is okay. Acting is swell - Sean Connery is still apt as James Bond, even with more tongue-in-cheek humor involved. Jill St. John is quite the looker in this film, but I found her character borderline unlikable. I loved Charles Gray's performance as Blofeld - the sheer villainy and class he exudes is phenomenal, just as it should be. Writing is pretty dumb. Most of this film is set in Vegas, so naturally, a lot of it looks tacky. But all things considering, the locales, sets, props, and costumes get the job done well. Special effects towards the end are terrible. John Barry's music score is really good, and Shirley Bassey's theme song is great.
Diamonds Are Forever is as silly as a Bond film can get (at least until Moonraker came along). Even then, there are things to like and enjoy about it, and it's still good-natured fun for Bond fans.
3.5/5 (Experience: Goofy | Story: Average | Film: Pretty Good)
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