In James Bond's eighth cinematic adventure, Roger Moore steps in the
well-worn shoes of the famous British spy. He goes on an adventure that
involves drug trafficking, and oddly enough, voodoo.
The film definitely has action to spare - there are a few car chases, a major boat chase, and a chase scene with a plane on a tarmac. In between these setpieces, Bond faces various sorts of peril, including a pretty cool scene at a crocodile farm. The tone is light, but there is some edge to it as Bond traverses through the streets of Harlem, the bayou of Louisiana, and the superstitious realms of the Caribbean. And, of course, it all ends at a secret lair of some kind... With Roger Moore in the lead this time, Bond becomes a lot less about kicking butt and taking names, and a lot more about the tongue-in-cheek wit and charm - it's not quite as overbearing in this film as it is in others, but it's quite the departure from the 60s era of Bond.
This plot has always been a little hard to grasp to me - the film shows you all the different aspects of the villain's sprawling plot, but does little to tie them together. Bond seems to go from one end of it to the other based on the whims of the script. There's nothing much to the characters - they're as one-dimensional as they can be. The film carries over some aspects of blaxploitation, which was big at the time, but it's hard to tell if it's really a good fit for Bond or not.
This film has good, but hardly great, photography. Editing seemed a little screwy to me at times. Acting is a bizarre thing to judge - you'll either love or hate Roger Moore's version of Bond, but in this first film, there are times when he tries to act good and tough. I enjoyed watching Yaphet Kotto and Julius Harris as the villains. Jane Seymour looks great and plays her part well. Gloria Hendry does the same. Cliffton James plays a cartoonish buffoon of a sheriff, and it's so goofy it's embarrassing. Writing is so-so. This production uses pretty real-looking locales, but the sets, props, and costumes are a bit on the fake side. The music score's okay. Paul McCartney's theme song is one of the classics - unfortunately, I feel it's been played to death after all these years.
There are fun moments in Live and Let Die, but the plot and all the things in it makes for a rather strange brew. Still worth a look for Bond fans.
3.5/5 (Experience: Pretty Good | Story: Average | Film: Pretty Good)
The film definitely has action to spare - there are a few car chases, a major boat chase, and a chase scene with a plane on a tarmac. In between these setpieces, Bond faces various sorts of peril, including a pretty cool scene at a crocodile farm. The tone is light, but there is some edge to it as Bond traverses through the streets of Harlem, the bayou of Louisiana, and the superstitious realms of the Caribbean. And, of course, it all ends at a secret lair of some kind... With Roger Moore in the lead this time, Bond becomes a lot less about kicking butt and taking names, and a lot more about the tongue-in-cheek wit and charm - it's not quite as overbearing in this film as it is in others, but it's quite the departure from the 60s era of Bond.
This plot has always been a little hard to grasp to me - the film shows you all the different aspects of the villain's sprawling plot, but does little to tie them together. Bond seems to go from one end of it to the other based on the whims of the script. There's nothing much to the characters - they're as one-dimensional as they can be. The film carries over some aspects of blaxploitation, which was big at the time, but it's hard to tell if it's really a good fit for Bond or not.
This film has good, but hardly great, photography. Editing seemed a little screwy to me at times. Acting is a bizarre thing to judge - you'll either love or hate Roger Moore's version of Bond, but in this first film, there are times when he tries to act good and tough. I enjoyed watching Yaphet Kotto and Julius Harris as the villains. Jane Seymour looks great and plays her part well. Gloria Hendry does the same. Cliffton James plays a cartoonish buffoon of a sheriff, and it's so goofy it's embarrassing. Writing is so-so. This production uses pretty real-looking locales, but the sets, props, and costumes are a bit on the fake side. The music score's okay. Paul McCartney's theme song is one of the classics - unfortunately, I feel it's been played to death after all these years.
There are fun moments in Live and Let Die, but the plot and all the things in it makes for a rather strange brew. Still worth a look for Bond fans.
3.5/5 (Experience: Pretty Good | Story: Average | Film: Pretty Good)
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